Get SF Weekly Newsletters

Friday, February 12, 2016

Black Lives Matters' Alicia Garza: Beyonce, the Patriarchy, and (Why She Isn't Voting For) Hillary Clinton

Posted By on Fri, Feb 12, 2016 at 5:57 PM

click to enlarge ctnsnesu8aaap87.jpg
The world was introduced to the phrase "Black Lives Matter" in August 2014 via a hashtag attached to the scenes of unrest and protest in Ferguson, Mo. Since then, the phrase, co-coined by Bay Area native Alicia Garza, has permanently entered the lexicon (and has been remixed, altered, and appropriated).

The movement has had immense success — without it, it's not likely that Beyonce and her dancers would have appeared as Black Panthers on the Super Bowl 50 halftime show — but sometimes lost in the efforts to undo racial disparity is the need to undo gender disparity.

"We need the experiences of women and girls to lead and shape movements for social change," says Garza, who will be spending a rare few days in the Bay Area this weekend to give the keynote address at Bay Area Rising's annual Valentine Day's event. "Violence against women and girls is connected to the Black Lives Matter movement... we need to make women and girls more visible."
 
Garza will spend most of Black History Month criss-crossing the country, speaking and organizing, but checked in with SF Weekly on Friday about the success, the work ahead, and who she wants to support for president. (Hint: it's not Hillary Clinton.)
The success of the Black Lives Matter movement — the resonance of the phrase as well as the prevalence of the hashtag, on top of 40 new laws in 26 states over 2015, including police body cameras and law enforcement oversight — has made organizing a bit easier.

There are now 30 BLM chapters across the world, and celebrities have endorsed the phrase and the message. And, on the very same weekend, one of the biggest entertainers in the world released both a music video and put on a performance in front of the biggest television audience that pulsated with the message Garza helped popularize. 

The significance of the show — just a few minutes amid a four-hours-long orgy of commercialism and pageantry — should not be dismissed. 

"We're trying to impact culture and to impact policy," she says. "You can't do one without the other."
"I was really proud of her," Garza said of Beyonce's performance, one of the most overtly political statements a recording artist of that stature has made in some time. "That was a big risk that she took. Many artists are scared to take those kinds of positions. They're actively discouraged against it."

click to enlarge beyonce-formation.jpg.size.xxlarge.letterbox.jpg
One easy reason why is the enormous backlash the performance created. Talking heads like former New York mayor Rudy Giuliani fulminated that the performance was racist and anti-police — which Garza sees as an unwitting revelation.

"That kind of backlash shows where those peoples' true colors lie, no matter what kind of lip service those people pay to justice or equality," she says. "It was fascinating to watch him do these interviews and be completely oblivious to how racist his comments were... it just makes me understand more clearly what peoples' motives actually are. And it lays bare the very issue that this movement is trying to raise."

"We can talk until we're blue in the face about how everybody is equal, there's no racism, and all this. But when you hear those kinds of comments from people who make decisions that impact lives, it makes it clear what we're up against."

One way to look at the virulence — and the easy way in which white people lofted around the word "racism" after the halftime show — is to suggest that the movement is working. Garza sees it different: people still fail to understand the term.

"People think that racism is this real insidious thing where you're only a racist if you wear a white hood. The reality is that racism is a worldview, a set of systems, policies and practices that impact some peoples' lives differently than others."

This month, Garza will head to Tennessee, Portland, San Diego, and Nebraska after a few days here in the Bay. After that? It's 2016 and it's a presidential year, but she and BLM are nowhere near ready to pick a candidate — or even signal where they're leaning.

"I know that we can't have an equal society under Donald Trump," she says. "But by and large, both parties have significant issues."

"I feel like I know who I'm going to vote for, but the reason why I don't want to talk about it publicly is I don't want it to be seen as an endorsement. There's a lot more work to be done. I think all candidates have a long way to go to adequately address the issues our society faces — and our walking contradictions."
click to enlarge hillary_clinton_testimony_to_house_select_committee_on_benghazi.png

"I do know I won't be voting for Hillary Clinton," she added. "I don't trust her. I think she doesn't say more than lip service to some of the issues we really care about."

"In the last few months she's talked a lot about criminal justice but very little about her role in the problems that we're facing today," she says, name-checking The New Jim Crow author Michelle Alexander's piece in The Nation as a good summation of her issues.

(Clinton, keep in mind, was a huge champion of her husband's 1994 crime bill, which greatly expanded the country's incarceration rate, which continues to fall disproportionately on black and brown people.

"While I respect her position as a woman who's done a lot in a patriarchal world, I don't think she has the credentials yet to really say that she listened and has aligned herself with the people who really need attention."

So: Bernie? Garza demurred. "All the criticism leveled at all the candidates has been fair. We have a significant problem: we need to create a viable alternative to what is really a broken system that we feel compelled to participate in every four years, or every two years. 

That really doesn't generate change."

Alicia Garza will speak at Bay Area Rising's Artistic Rising at 7 p.m. on Saturday night in Oakland. 
  • Pin It

Tags: , , , , , ,

About The Author

Chris Roberts

Bio:
Chris Roberts has spent most of his adult life working in San Francisco news media, which is to say he's still a teenager in Middle American years. He has covered marijuana, drug policy, and politics for SF Weekly since 2009.

Comments

Showing 1-1 of 1

 

Comments are closed.

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed

Like us on Facebook

Slideshows

  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"