Get SF Weekly Newsletters

Tuesday, April 22, 2014

tUnE-yArDs Premieres New Nikki Nack Songs Live at the Chapel, 4/21/14

Posted By on Tue, Apr 22, 2014 at 10:14 AM

tUnE-yArDs at the Chapel last night.
  • tUnE-yArDs at the Chapel last night.


Monday, April 21, 2014

The Chapel

Better than: Performances with less eye-glitter.

If one measure of an album is the way its songs go over live, we should all be very excited for Nikki Nack, the next full-length from Oakland art-pop project tUnE-yArDs. Last night at the Chapel, the band fed a solid helping of its latest material to a room full of people who mostly hadn't heard it before. It was tUnE-yArDs' first live show in more than a year, with Merrill Garbus, Nate Brenner, and three new band members decked out in festive, colorful, slightly cartoonish outfits. (Garbus herself looked like a split-personality superhero, with a body suit that was part aqua green fabric, part red latex, and mostly gold lamé.) And the show was free, thanks to Converse's Rubber Tracks studio project -- though it didn't need to be.

The first song of the set, "Manchild," began with a strange, rap-like part -- a heavy beat with Garbus talking in a narrow melody. But as soon as her voice began to open up last night, with Garbus and her three singers issuing a siren-like "I've got something to say," the room responded. Dancing began, and didn't end until more than an hour later. The spare funk of "Manchild" gave way to the somewhat more pop-friendly "Hey Life," which feels (as several of the new songs do) sort of like a tUnE-yArDs twist on classic R&B. The song fell away for a breakdown, leaving near-silence as Garbus, joined by three other voices, sang-counted gorgeously back up to a climax, and the crowd shouted approvingly.

With each new song, you could feel the audience get its head slowly around the odd beat- and vocal-timing and eventually fall hard into the groove, even when the band tried to keep it elusive. Most of the new material is very, very rhythmic, and sounded even more so live, with Garbus' floor toms and loop pedals backed by a full-on percussionist. At times this led to pretty spirited movement out on the packed floor of the Chapel: A big part of "Stop That Man" was just a doubled-up drum beat, like some kind of abrasive tribal techno, that had Garbus, her bandmates, and a good part of the room bouncing up and down like sugar-high toddlers.

It wasn't all new stuff -- they gave us "Powa" and "Gangsta" and of course "Bizness" as well, and those elicited even more elation and movement from the crowd, as expected. But it seems a safe bet that the Nikki Nack songs are going to bowl over rooms on tUnE-yArDs' upcoming tour, given their strength and the sense of possession with which people regard this band. Early on, they got to "Real Thing," a kind of smoldering rap/R&B tune -- Garbus rhyming at immense speed, with a smeary synth-bass line doing nosedives over a flickering beat. At its start last night, the room seemed adrift, with Garbus nearly shouting about debt, slaves, hearing her name in Timbuktu. Huh? But when Brenner's bassline hit, it roped things together -- you heard shouts and cheers as the audience sensed the overpowering intent of the rhythm and fell into it, giving themselves over to its heft. A lot of people are going to have that same experience over the next few months, and they're damn lucky for it.



Hey Life

Time of Dark

Real Thing

Stop That Man

Wait For a Minute



Water Fountain




Real Live Flesh

-- @iPORT

  • Pin It

Tags: ,

About The Author

Ian S. Port


Comments are closed.

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed

Like us on Facebook


  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"