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Sunday, February 21, 2010

Last Night: ALO at the Fillmore

Posted By on Sun, Feb 21, 2010 at 7:19 PM

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ALO
Saturday, Feb. 20, 2010
The Fillmore

Better Than: A Deadheads Anonymous meeting

I don't know how many animals local gents Animal Liberation Orchestra (ALO) have liberated lately, but they sure did liberate some butts at the Fillmore last night. Those moving rear ends were attached to people who must've been in fragile health, because they consumed a mighty quantity of what I had to assume was medicinal marijuana. 

Knowing ALO's reputation as a jam band, I expected a crowd thick with citizens of the Wookie Nation, but I felt more like I'd happened upon party time at a ten-year college reunion. The venue was filled with hugs and shared greetings between old friends, reminiscent of the atmosphere at shows by one of the older, local jam-type bands - Grapes for Death, or something like that it was called, I forget. They were pretty famous.

A very appreciative crowd enjoyed two sets of danceable tunes at a packed Fillmore. The band was in the midst of its fourth Tour D'Amour,  an annual February excursion that incorporates a philanthropic bent. Recent Southern California shows raised money for Haitian relief, and last night was a benefit for San Francisco nonprofit Music in Schools Today. The band is also promoting its new album, the Jack Johnson-produced Man of the World. ALO took the stage to a fanfare of the Beatles' "All You Need Is Love," launched into a bouncy version of its own "Hot Tub," and they were off. The quartet played hopeful songs of love, social observation, and good ol' joie de vivre to an audience that couldn't stand still.


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Last Night: Nodzzz at EpiscoDisco, Grace Cathedral

Posted By on Sun, Feb 21, 2010 at 5:42 PM

CHRISSY LOADER
  • Chrissy Loader
Nodzzz
Saturday, Feb. 20, 2010
Grace Cathedral

Better than: Going to church for church stuff.

San Franciscans complain about the "war on fun," but sometimes it isn't The Man, or the ABC, or even a rogue police officer that gets cool shit shut down. Sometimes all it takes is one really dumb-ass teenager, high on a combo of substances and stupidity, to threaten the short life of a really great party. Last night proved that fact--as the existence of the very classy, celestial, and surreal monthly EpiscoDisco was laid on the line when some stoned-acting chick in a white knit hat apparently had to leave her mark under the holy water. That's not gonna get her closer to God.  

Up until that point, patrons of this unique gathering--hosted, since last April, by Rev. Bertie Pearson, and mixing DJs with art installations, heathens with religious types--were piously behaved. We arrived around 8 p.m., and an eclectic mix of women dressed for the adult prom, women dressed for an avant guard catwalk, dudes dressed as normal dudes, and one guy in a giant fake mustache chatted informally throughout the historic cathedral. Once you walked through the heavy doors, there was a reverent hush to the place, which, even though this was a cathedral, you wouldn't necessarily expect for event with "disco" in the name. 

CHRISSY LOADER
  • Chrissy Loader
​Sure, things were a little racier than normal--one couple decided to go for a marathon makeout  under a large crucifix near a gold painting of John Donne. And under a giant statue of the Lord, bartenders served little plastic glasses of pinot gris along with sparking water for a small donation. But the vibe was very civilized as DJs broadcast the echoing beats from Stevie Wonder's "Love Light in Flight" and "Feels Good" by Tony! Toni! Tone! 

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​It seemed most folks were leaving the dancing for a later hour. They were content instead to casually walk the grand space and discover the various rooms and sculptures, light a candle for a prayer, or test the prayer cushions by the pews. It was a polite gathering--so much so that one twentysomething gentleman, donning a large caramel-checkered fur in the stairwell, waited until the steps were clear before popping the cork on his bottle of champagne. From the 1,000-flower art installation hanging from the ceiling to the pastel-hued film shorts, the vibe was set on arty class. Until that kid grabbed her marker and aimed for the holy water holder.

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Friday Night: Erykah Badu at the Fox Theater

Posted By on Sun, Feb 21, 2010 at 9:16 AM

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Erykah Badu 
Friday, Feb. 19, 2010

Fox Theater, Oakland


Better Than: Sex. Unless, with, well... 

Erykah Badu is from Texas, so she can be forgiven for thinking she needed four layers in Northern California in February. And maybe it's just her microphone skills, but was she really so cold she had to wear a sort of camouflage balaclava/aviator cap velcroed below her chin and a top hat? For an indoor show? 

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​Badu began Friday's gig all bundled up, working warbled melodies from a theramin with the same hovering gestures you use to warm your hands by a fire. She was stiff and erect and, wrapped as she was, a little scary, like a mummy. But soon she lifted off her floor-length overcoat and began to move around the stage. 

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​In front of lit velvet curtains, and in her spangled tights, top hat, and a double-breasted jacket with tails, Badu became an old ballroom show singer from the Tin Pan Alley days. All that was missing was the cane. But as she shed layer after layer (revealing next a grey Public Enemy hoody and at last a purple T-shirt repping Queens, N.Y.,'s DeVore Dance Academy) the singer also changed her stage personas. She shifted-shape from ragtime Hollywood tap dancer to drama queen performance artist to gangstress emcee almost leaning on her mic stand.

Often, Badu pushed her palms out to both sides, as if holding back collapsing walls or stumbling drunk down a hallway.

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