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Monday, August 3, 2009

Last Night: Seisiún at the Plough and the Stars

Posted By on Mon, Aug 3, 2009 at 9:06 AM

irish.jpg
Seisiún
Sunday, August 2, 2009
The Plough and the Stars

Better than:
Drunk frat guys making all the noise at Irish bars.

With so much live entertainment happening in San Francisco every night  of the week, it's easy to forget about the musical events that go on with zero fanfare. For every band in town or act touring through, there are handfuls of performances by musicians who don't need their names on the marquee. Often times, they don't even need a stage, or much feedback from the crowd. All they require is a public venue to play host and other players to join in the fun. Such was the case last night, during the Sunday night Seisiún at The Plough and the Stars.

Seisiún
isn't the name of a band, but rather a concept that comes out of Irish pubs of performing traditional Irish music very informally--as the explanatory Web site puts it, musicians sit around a table "as if they were having a friendly game of cards" and anyone with a knowledge of the music on hand can join in and play. These Seisiúns are on the calendar every Sunday night at the Clement St. bar, and even on a foggy, wintry San Francisco summer night, they drew an eclectic crew of musicians and bar patrons. 

The half dozen musicians gathered at the pub last night ignored the stage, where two microphones and a couple chairs sat empty. Instead they collected in the middle of the bar, at a wide table just on the other side of a small barrier from the pool table. When we arrived around 9:30 p.m., the group comprised a fiddler, a mandolin player, an acoustic guitarist, and a flutist.

At first we figured we'd missed their show, but then the group picked up on a tune and got to work while still seated at their table, playing music I've really only heard back when my sister took a semester in Ireland (although my friend who suggested the bar had spent years in Boston going checking out the Seisiúns at venues there.)

The musicians' performance was entertaining and unusual, picking up and dying down more like conversations than like the focal point of the room. There were long pauses between songs as the men took tips from pints brought over by their friends. There were perhaps 20 people in the bar, ranging from a man out alone who paid the group his full attention, to groups of couples in the back who spent the whole evening talking, to pool players and college kids--who took up seats closer to the jam session and chatted less frequently the more the music played on. For their part, the musicians weren't at the mercy of the crowd's applause--which came, politely, at the end of the songs--but rather were focused on one another, sitting in a semi-circle and going back into discussions amongst themselves when they'd finished off a tune.

I can't pretend to be an authority on the ins and outs of traditional Irish music, but sitting there as it washed over the  bar, I'll say it was the perfect background for a chilly Sunday night. It was neither too loud nor was it quiet background music, but more a cool way to create an inviting atmosphere for the bar.

As the number of players grew (the flutists numbering three strong at one point) the music only sounded warmer, its faraway roots making it feel like we were on a spontaneous vacation in County Cork, at a pub where multiple generations were gathering for friendly wrap-ups to the weekend. The framed posters lining the walls behind the booths and behind the bar only added to the travel vibe, the traditional Guinness posters advertising the beer culture while other artwork advertised Irish music. 

The Seisiún seems like a scene that grows off the beaten path of entertainment fixes in this city. It needs few giant ads or full page writeups, as those in the know I imagine understand where and when to bring an ear or an instrument. As an outsider stumbling in from the fog, it was more than the perfect way to cap the weekend. It was also a reminder that there's so much more to San Francisco's music communities than meets the ear, and more you stray off the expected, the better experiences can get. 

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Ian S. Port

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