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Thursday, February 12, 2009

Track of the Day: Tyvek

Posted By on Thu, Feb 12, 2009 at 2:29 PM

JEREMY SCHOENHERR
  • Jeremy Schoenherr
One of 2008's dark horse CDs was Tyvek's Fast Metabolism. At least I think that was the year--information on the Detroit band is scant online, and like their recordings, my memory's a bit sloppy keepin' it together. Nonetheless I'm very happy to hear that these guys are coming back with another heapin' platter of jittery garage (like the Cheater Slicks with a side of Wire) when Siltbreeze releases a new Tyvek record this spring. "Start/Stop" is the group's new single, and it doesn't waste a breath of its 1 minute, 21 seconds: the vocals rattle off tune as you're welcomed to the "fucked up side of my mind"--not a bad place to be, really. The band plays one of the Noise Pop shows I'm most looking forward to on Thursday, Feb. 26 with Thee Oh Sees, Unnatural Helpers, and the Fresh & Onlys.

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Giving the French Soul on the 21st

Posted By on Thu, Feb 12, 2009 at 12:24 PM

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San Francisco loves its old soul nights--but next weekend (Feb. 21 to be exact) there's party that offers two stories of nostalgia (or whatever the word is when you miss something you weren't old enough to live through in the first place) in one club with Sugar Shack. Upstairs at the Paradise you've got your French Pop with DJs Sergio Iglesias

and friends (who collectively are billing themselves as California's only 

"all French night"--but hey, what about Bardot a Go Go?). Downstairs you've got a battle of the '60s with pretty much all the great oldies vinyl slingers in town (Rooky Ricardo's Dick Vivian among them). Seven bucks will get you in and dance lessons will get you coordinated.

On a related note: one new old CD that's been blowing my mind is Light in the Attic's reissue of the Serge Gainsbourg's Histoire De Melody Nelson, a musical retelling of Lolita featuring the perverted old crooner and his young lover Jane Birkin first released in 1971. Get your clammy hands on it March 24. Creepy taboos never sounded so sexy. 

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Last Night: The Gutter Twins at the Independent

Posted By on Thu, Feb 12, 2009 at 8:06 AM

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The Gutter Twins (Greg Dulli and Mark Lanegan)
February 11, 2009
The Independent

Better Than: Joaquin Phoenix' new rap career

The audience: Reg'lar folks, mostly dressed in shades of the bruise palette. Two parkas, one with a fur-lined hood. Three trilbies. Smatterings of plaid. One army coat tricked out like Coldplay's Sergeant Pepper's Lonely Wankers Club Band uniforms.

The show: I bought earplugs from the coat check girl just as a skinny guy in a knit cap walked onstage and began playing acoustic guitar. Wimp, her eye-roll said. Then he began beatboxing and making weird didgeridoo-like noises at top volume. Harold "Happy" Chichester played keyboards and provided impeccable falsetto for the Afghan Whigs and Twilight Singers. He's an all-round nice guy from Columbus, Ohio, and won over the crowd with "I Live in a Glamorous Town," which dealt with women dressed as hookers, "if hookers were pirates."

As the Gutter Twins loped onstage and took their seats, I noticed that there were actually three of them. (The extra Twin is guitarist Dave Rosser.) I was also slightly alarmed at the acoustic song-circle theme the evening was taking. Can Greg Dulli and Mark Lanegan's songs of lust and menace survive such a tranquil setting?


I'm still convinced that Lanegan is another of Will Ferrell's side projects. They've never been seen together in the same room, and they share a comic-stern expression. Meanwhile, Dulli wasn't smoking onstage, which was surprising, given that he's been quite happy to break city laws at past shows in S.F.

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Last Call For Fat City?

Posted By on Thu, Feb 12, 2009 at 7:00 AM

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Calibree Photography
Sign of the Times: Fat City
Nestled in an enviable corner of SoMa which draws plenty of foot traffic, especially on weekends, Fat City was the latest incarnation of a nightlife destination which has frequently changed hands over the years. For a while, it thrived as Studio Z, often featuring diverse bookings, but two years ago, the club was sold, and the format became mainly rock-centric. Just last month, Fat City hosted the Erotic Metal Ball, but all indications are that the party's over. Apparently, the venerable venue is about to be under new management yet again. Promoters have reportedly rebooked previously-scheduled shows at other venues, while Fat City's MySpace page lists bookings only up until Saturday, Feb. 14, and this cryptic message: "This myspace page will be removed after Feb 14th. Thank you so much for your supprt (sic) for last 2 + years. I hope to see you guys again sooo at new venue." Messages left for (one presumes) the club's owner were not immediately returned.


So why is yet another club in a prime location apparently biting the dust? Possible clues can be gleaned from the user reviews at Yelp.com. Out of 34 total ratings, Fat City received an unusually high number of poor assessments: 11, or almost one-third of the reviews, gave it one star, the lowest possible rating. Not only that, but a Yelp graph depicting ratings over time showed a precipitous decline in the past two months, suggesting the venue was getting worse, not better.

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Dub for the Dancefloor

Posted By on Thu, Feb 12, 2009 at 7:00 AM

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Voltage Music
Dub Selector: DJ Tomas aka Dub I.D.
Wha' gwan with Voltage Music maestro DJ Tomas, aka Dub I.D. aka Double Identity? Hole heap a tings, mi yout'. Voltage's fresh-off-di-press comp of future roots, West Coast dubstep, and echo-hop entitled Dub 4 the Dancefloor dropped January 20th; last week, the selecta premiered a new reggae-oriented monthly, "Roots Roadblock," at Koko Cocktails on Geary/Van Ness; and a new series of live podcasts from Tomas' other crew, Umoja Hi-Fi, are now available here.  And then there's the Forward Ever blog, (which offers a nice variety of sneak previews, exclusive downloads, industry news, charts and pics), and the "Saturday Night Rockers" show on KUSF. We don't know how he also finds time to edit Wiretap magazine, coach track, and pen music reviews for various publications in addition to all this sound bwoy busy-ness, but it's nice to see longtime DJs still in the game, and constantly adding new facets to their repertoires.

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