Get SF Weekly Newsletters
Pin It

Stage Capsule 

House of Lucky

Wednesday, Sep 22 1999
Comments
Berkeley's Impact Theater has a self- conscious mission: to do live shows "for people of our own generation, born between roughly 1961 and 1981"; the result has been a number of plays (Sweet Self, Lackaday) hobbled by self-consciousness. But House of Lucky is different. Frank Wortham's one-man show about a young beat poet in '90s San Francisco has a self-transcending energy. The poet, Harper Jones, in dreadlocks and "Bob Dylan boots," navigates roughly 48 hours of The Life, from a hilarious monologue by his roommate in the morning to female troubles in the afternoon to a funny poetry slam at night. His odyssey leaves him with no money, no job, no girlfriend, no dreadlocks, and a head accidentally full of some very powerful blotter acid. If this still sounds like a familiar story, keep in mind that Wortham can act. His lanky body and soul-patched face embody 17 different characters, and the sprawling show -- which premiered in '96 and has toured to New York, Chicago, and Boston -- is what too many other Gen-X productions aren't: full of joy.

Comments

Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed
  1. Most Popular

Slideshows

  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"