Get SF Weekly Newsletters
Pin It

SF Weekly Letters 


Academy of Art Jeer-Leader

Pump up the volume: I'm always interested in the Academy of Art's antics, and this is pretty amazing ["Going for Gold," Joe Eskenazi, Feature, 8/27]. Even better is the (unsurprising) revelation of its 100 percent acceptance rate.

Now I know how they do so well: volume!

Michael Lucas

San Francisco

Muggings vs.Smuggings

Just remember to duck: After reading "Room with a Few" [Ashley Harrell, Feature, 8/20] all I can say is thank you for reminding me why I live on the opposite side of the bay. Any time I begin to wonder if I'm crazy for living in Oakland, I can just reread this story of smug, self-absorbed city-dwellers and remind myself why I'd rather go through a takeover robbery any day than live among such annoying people.

I only hope that with their communal living comes a better sense of self-awareness.

Jennifer Waldman


To the Pointe

Who really needs their little toenails?: I enjoyed reading the article about the San Francisco Ballet ["Blood, Sweat, and Tutus," Joe Eskenazi, Feature, 7/23]. If an article grips me from the beginning and has good flow so that I can't stop reading, it's a good article. Of course, it must also have lots of facts that would have been difficult for me to find on my own, which this one does.

It was significant for me because I grew up dancing since the age of 3 and thought I was going to be a professional ballet dancer. I had a lot of natural talent, but just not a perfect 180-degree turnout in my hips. Topping out at five foot nine did not help my cause either, so I had to step out of the ballet scene. I considered a career in alternative genres of dance, but the thing that finally drove me to work in the dance office rather than the studio (aside from little toenails that ripped away from my toe and bled when I danced barefoot, and a podiatrist who said that he could remove them, but they would likely just grow back) was the vision of being 35, out of work, with no insurance, no other work experience, and a torn ACL or something.

I'm not unhappy with my station in life, but there is that seed of doubt, the "could have." I thought that once you got into a huge dance company like the S.F. Ballet or Pacific Northwest that, as long as you worked hard, you essentially had it made. This article has cleared away any doubts that I may have had about choosing to stay out of the studio for pay. Thanks!

Natalie Anderson


News Rack Attack

Think outside the box: Why doesn't the city raise the fees three times over on all those eyesores — the stand-alone boxes that frequently are empty and covered with graffiti ["Inside the Box," John Geluardi, Sucka Free City, 8/13]? Terminate the contract with Clear Channel, or make it finish all commercial corridors projects by December 2010!

No stand-alone boxes anyplace.

Janet Tandy

Santa Rosa


Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed


  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"