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"Robot Ears" Club Recommended

When: Fri., Jan. 30, 9:30 p.m. 2015
Price: $10-$15 advance

Just the Essentials: Truncate Brings Searing Minimal Techno to the Dancefloor

There's a certain kind of techno that, for most of the 2000s, took Europe by storm. Loopy and repetitive, minimal techno — or just "minimal," as most people called it — was brought to the fore by Richie Hawtin, among many others. True to its name, minimal techno was all about stripping techno down to its bare essentials — percussion loops, generally speaking, with melody either removed altogether or drastically pared down. The appeal of minimal techno comes from the power of repetition; when an eight-minute track consists of the same loops repeating over and over, even the smallest change (the addition of a handclap, a subtle shift in the bass line) becomes a transmission of ecstasy.

With a few notable exceptions, minimal techno was mostly a European endeavor. The producers, DJs, and clubs that championed it were situated across the Atlantic. One such exception was Audio Injection, aka David Flores, a Los Angeleno who had been DJing since the early aughts and began producing in 2007. In 2011, he launched a new project called Truncate, a series of 12-inches designed for DJs ("techno tools"). The Truncate sound took the minimal techno blueprint and beefed it up, adding heavyweight kicks and searing synthesizers. Many Truncate productions are built around vocal samples, often one word repeating at various intervals, like mantras. In short, Truncate makes highly effective minimal techno.

He's joined by a handful of fine local DJs from the Direct to Earth and Robot Ears crews for two back-to-back sets: Max Gardner and John Kaberna for one, and Patrick Gil and Loui Vanhard for the other.

— Chris Zaldua

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