Get SF Weekly Newsletters
Pin It

Reps Etc. 


Commentary by Gregg Rickman ( Times compiled from information available Tuesday; it's always advisable to call for confirmation. Price given is standard adult admission; discounts often apply for students, seniors, and members.

We're interested in your film or video event. Please send materials at least two weeks in advance to: Film Editor, SF Weekly, 185 Berry, Suite 3800, San Francisco, CA 94107.


345 Bush (at Polk), 775-7755, French-language films shown on projected video. $5 donation.

WEDNESDAY (July 9): A Claude Chabrol series continues with La Rupture (France, 1970), with Stephane Audran as a wife fleeing an abusive husband 7 p.m.

SATURDAY (July 12): La Rupture 2 p.m.


992 Valencia (at 21st Street), 824-3890, for most programs, for Saturday evening programs. $5 save as noted. This venue offers all manner of strange and unusual video and film.

THURSDAY: The activist organization International ANSWER screens Herbert Biberman's Salt of the Earth (1954), a film by blacklistees about a mining strike in New Mexico that has turned out to be way ahead of its time in challenging racism and sexism 8 p.m.

SATURDAY: The Zag Men ("freaky robot lovers, musicians and video expressionists who perform live music to Film and video") play while screening Baby Music for Robot Children, a history of horror in cinema, Desperately Seeking Satan and Carl Diehl and Ryan Martin's When Robots Attack 8 p.m.


3010 Geary (at Blake), 751-3213, for this series. This popular little theater offers, in addition to its regular screenings (see Showtimes for listings), a "Midnight Mass" every Saturday this summer, hosted by Peaches Christ. $7.

SATURDAY (July 12): John Waters anticipates contemporary reality TV as he envisions two families fighting to be recognized as "The Filthiest People Alive" in his 1972 super-underground Pink Flamingos. Why isn't he programming for Fox? Live pre-show entertainment includes a trash talent show. Why isn't Peaches Christ programming for Fox? midnight.


429 Castro (near Market), 621-6120,; $8 save as noted for regular programming; 273-1175, and $12 save as noted for San Francisco Silent Film Festival programs. Short-run rep in a spectacular 1922 Greco-Roman-themed palace designed by Timothy L. Pflueger. Evening intermissions feature David Hegarty or Bill McCoy on the Mighty Wurlitzer.

WEDNESDAY & THURSDAY: A restored, three-hour print of Sergio Leone's epic Civil War western The Good, the Bad and the Ugly (Italy, 1966). See Ongoing for review 8 p.m.; also Wed noon, 4 p.m.

FRIDAY: John H. Smihula's Hidden in Plain Sight (2003), about the controversial School of the Americas (SOA), screens as a benefit for the Film Arts Foundation and the film itself. $12 advance tickets, $15 at the door 8 p.m.

SATURDAY: The San Francisco Silent Film Festival screens two days of programs; see Night and Day for more. "Alice in Disneyland" 11 a.m. Carmen (Cecil B. DeMille, 1915) 1:30 p.m. From Mexico, the 1912 comedy Anniversary of the Death of Enhart's Mother-in-Law and the religious drama Tepeyac (Carlos E. Gonzalez, 1917) 3:45 p.m. Leonard Maltin introduces King Vidor's The Crowd (1928), $14 8 p.m.

SUNDAY: Two by Germaine Dulac, the superb The Smiling Madame Beudet (France, 1922) and the surreal The Seashell and the Clergyman (1927) 11:15 a.m. Lon Chaney's grandson Ron Chaney introduces The Penalty (Wallace Worsley, 1920) 1:30 p.m. Two new silent films, Rock Ross' Stupor Mundi (1999) and Milford Thomas' Claire (2001) 4 p.m. "Talk About Funny!," a panel disucssion on the appeal of silent comedy, with clips, $6 7 p.m. Buster Keaton"s Go West (1925), $14 8:30 p.m.

MONDAY: Author Diane Johnson (Le Divorce) discusses her screenwriting work with Stanley Kubrick on The Shining (1980) with author David Thomson. $10 7:30 p.m.

TUESDAY & WEDNESDAY (July 15-16): A one-take tour of Russian art and history is made by Alexander Sokurov's Russian Ark (Russia, 2002) 2, 4:30, 7, 9:10 p.m.


2534 Mission (between 21st and 22nd streets), 648-7600, Free with meal. This restaurant screens foreign films, usually in 35mm, on the back wall of its outdoor patio, with drive-in speakers available for the tables of those who want to watch while they dine.

WEDNESDAY THROUGH SUNDAY: Peter Collinson's original The Italian Job (U.K., 1969), with Michael Caine leading the Mini Cooper chase 8:45, 10:30 p.m.

MONDAY-TUESDAY: See Urban Experience.

STARTS TUESDAY: The Hulk strikes back in Ang Lee's Crouching Tiger, Hidden Dragon (U.S./China, 2000), screening through July 27 8:45, 10:45 p.m.


2200 Clement (at 23rd Avenue), 666-3488, This innovative theater screens second-run movies, a "Midnight Madness" series on weekends, and "Hong Kong Movie Madness" double features on Thursdays. For the rest of the Four Star's schedule, see our Showtimes page. $6.

THURSDAY (July 10): A six-week series of "Hong Kong Movie Madness" continues. Striding Cloud and Whispering Wind take on an evil warlord in Wai Keung Lau's SFX-heavy adaptation of a comic book, The Storm Riders (1998), while Hong Kong policewomen try to shut down a gang in She Shoots Straight (Corey Yuen, 1990). Call for times.

MIDNIGHT SHOW (Friday & Saturday): Paul Verhoeven's astronauts take on giant bugs in the bizarre Starship Troopers (1997).


510 Larkin (at Turk), 345-9832, This "Rock 'n' Roll DJ Bar" offers an "S.F. IndieFest MicroCinema" Tuesday through Friday (most weeks). Screenings are followed by DJ music at 10 p.m. Free.

WEDNESDAY: The animated feature Heavy Metal (Gerald Potterton, Canada, 1981) features the voicework of many SCTV comics in this horror/sci fi compilation 8 p.m.

THURSDAY & FRIDAY: High school girls on amphetamines seek more in Beth Dewey's Tweeked (2003) 8 p.m.

TUESDAY: Giant animals cause problems in Bert Gordon's B-movie take on H.G. Wells' Food of the Gods (1976) 8 p.m.


Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed


  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"