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Repertory Film Listings 

Commentary by Gregg Rickman ( Times compiled from information available Tuesday; it's always advisable to call for confirmation. Price given is standard adult admission; discounts often apply for students, seniors, and members. For additional Reps Etc. listings, go to

We're interested in your film or video event. Please send materials at least two weeks in advance to: Film Editor, SF Weekly, 185 Berry, Suite 3800, San Francisco, CA 94107.

ARTISTS' TELEVISION ACCESS 992 Valencia (at 21st Street), 824-3890, $5 save as noted. This venue offers all manner of strange and unusual video and film.

WEDNESDAY (March 7): Andy Warhol's Haircut (No. 1) (1963) screens as as an adjunct to ATA's ongoing window display "For Freddie: Freddie Herko Memorial Evocation Window Installation." Herko is featured in Warhol's film as "a very nasty-looking type posing without a shirt." $6 7:30 p.m.

SATURDAY (March 10): Other Cinema — Psycho-Geography explores along the Mason-Dixon line, from Roger Deutch's Eastern Dead People to Sabrina Alonso's Mischief at 16th and Florida via Jenny Stark's Texan Floods, Ghosts and Contamination and a compilation of Katrina footage by the late Helen Hill. $7 8:30 p.m.

SUNDAY (March 11): The Arab Film Festival screens new political documentaries by Lebanese women, "Through Lebanese Eyes." Beirut Diaries: Truth, Lies and Video (Mai Masri, 2006) records the youth movement protest against Syrian domination after a 2005 assassination, and Lebanon/War (Rania Stephan, 2006) features reportage from the 2006 Israeli war. $6 7, 9:30 p.m.

3630 Balboa (at 38th Avenue), 221-8484, $8.50 save as noted. This great neighborhood house shows films of all sorts.

WEDNESDAY & THURSDAY: Monstrous beasts haunt both Pan's Labyrinth (Guillermo del Toro, Spain, 2006; 1:50, 7 p.m. ) and The Departed (Martin Scorsese, 2006; 4:10, 9:10 p.m. ), but only one of them is Jack Nicholson. On the Balboa's second screen, Forest Whitaker takes the Oscar as The Last King of Scotland (U.K., 2006; noon, 4:25, 8:50 p.m. ) while Peter O'Toole chases Venus (Roger Michell, U.K., 2006; 2:20, 6:45 p.m. ).

STARTS FRIDAY: Call theater for program.

429 Castro (near Market), 621-6120 and $10 save as noted. Short-run rep in a spectacular 1922 Greco-Roman-themed palace designed by Timothy L. Pflueger. Evening intermissions feature David Hegarty on the Mighty Wurlitzer.

WEDNESDAY: A Robert Altman memorial series screens a double bill of his drizzly western classic McCabe and Mrs. Miller (1971; 2:15, 7 p.m. ) and the desert-bound post-western enigma 3 Women (1977; 4:35, 9:20 p.m. ).

THURSDAY: More Altman — two agreeably sophomoric comedies from his breakthrough year, 1970: MASH (7 p.m. ) and Brewster McCloud (9:15 p.m. ).

FRIDAY THROUGH WEDNESDAY (March 9-14): Jean Renoir's funny tragedy The Rules of the Game (France, 1939) screens in a new print. Highly recommended 7, 9:15 p.m.; also Sat, Sun, Wed 2:30, 4:45 p.m.

285 Ninth St. (at Folsom), This recently restored second-run theater, a sister theater to Oakland's Parkway, offers occasional special screenings, including "Cerrito Classics," a different revival every weekend. $5.

SATURDAY & SUNDAY (March 10 & 11): Wartime heroes return from combat in the still powerful The Best Years of Our Light (William Wyler, 1946) Sat 6 p.m., Sun 5 p.m.

2261 Fillmore (at Clay), 267-4893, In addition to its regular films, and occasional special programs, a midnight movie series starts this weekend. $9.75.

FRIDAY & SATURDAY (March 9 & 10): You can see David Lynch's Blue Velvet (1986) through your tears at the Clay's Late Night Picture Show midnight.

425 Washington (at Battery), Suite 200, 788-7142, The Istituto Italiano di Cultura promotes Italian language and culture in Northern California with occasional film screenings. Free.

TUESDAY (March 13): The Institute is "Gearing Up for the 50th San Francisco International Film Festival" with a series of films featuring actor Kim Rossi Stuart. Tonight, he's a street urchin in Roberto Benigni's Pinocchio (Italy, 2001) 6:30 p.m.

1572 California (at Polk), 352-0810, This multiplex is only partly a "calendar house" rep theater. $9.75.

FRIDAY THROUGH THURSDAY (March 9-15): An Unreasonable Man (Henriette Mantel and Steve Skrovan, 2006). See Opening for review. Call theater for times.

57 Post (near Market), 393-0100 and for information; phone or e-mail for reservations. This cultural asset of long standing offers regular Friday screenings, shown on projected video with salon-style discussions to follow. $10.

FRIDAY (March 9): A British noir series screens the highly regarded Green for Danger (Sidney Gilliat, U.K., 1946), with comic Alistair Sim a very unlikely Scotland Yard inspector 6:30 p.m.

1727 Haight (at Cole), 668-3994, $8.50 save as noted. There's a spot on the couch for you at this collectively owned rep house.

WEDNESDAY & THURSDAY: Actors interact with history in the multi-character Bobby (Emilio Estevez, 2006) Wed 2, 7:15, 9:35 p.m.; Thurs 7, 9:20 p.m.

FRIDAY & SATURDAY: We're all Bozos on this polymorphously perverse Shortbus (John Cameron Mitchell, 2006) 7, 9:20 p.m.; also Sat 2, 4:20 p.m.

SUNDAY & MONDAY: Run! Nosegay! Run! Tom Tykwer turns from metaphysics to Perfume (Germany, 2006) 8 p.m.; also Sun 2, 5 p.m.

TUESDAY: A screening of Rene Laloux's animated cult favorite Fantastic Planet (France, 1973) screens with a new, live soundtrack by Enuma Elish. The Oms have never had it so good 7:30, 9:30 p.m.

3117 and 3125 16th St. (at Valencia), 863-1087 and for regular programs, for the Irish Film Festival, here March 1-4. $8 save as noted for regular programs, $10 save as noted for Irish Fest. Short-run repertory on two screens, separated by a bar, in this adventurous affiliate of New College.

WEDNESDAY & THURSDAY: All aboard for The Departed (Martin Scorsese, 2006) 7, 9:45 p.m.; also Wed 1, 4 p.m.

WEDNESDAY: A preview of Shadow Company (Nick Bicanic and Jason Bourque, Canada, 2006), about our private army in Iraq 7, 9 p.m.

THURSDAY: The Crossroads Irish-American Festival presents Home (Dawn Scibila, 2006), a documentary about a Dubliner's experiences in New York City 7:30 p.m.

STARTS FRIDAY: Shadow Company. See Opening for review 7, 9 p.m.; also Sat, Sun, Wed 3, 5 p.m. Call for additional films and times.

SATURDAY: Cine del Barrio, a new series of independent Latin American cinema curated by Adrian C. Zanini, screens two videos by Bolivia's Tupac Saavedra, Barroco Boliviano (2004) and Con Evo en Camino (2006) 11:30 a.m.

1800 Market (at Octavia), 865-5555; for this program. "Frameline at the Center," a free monthly film series, continues.

THURSDAY (March 8): Celebrity hairstylist Dalee Henderson , living with AIDS, is profiled in White Shadows (Mialyn Hanna, 2006). A discussion follows 7:30 p.m.

Koret Auditorium, Lower Level, 100 Larkin (at Grove), 557-4400, A weekly video program screens on Thursdays and occasional other days. Free.

THURSDAY (March 8): A Barbara Stanwyck series screens The Strange Love of Martha Ivers (Lewis Milestone, 1946), with Barbara an heiress torn between weak husband Kirk Douglas and sexy drifter Van Heflin (a few years later that casting would have been reversed) noon.

SUNDAY (March 11): Public defender Jeff Adachi in person with his documentary film on Asians in Hollywood cinema, The Slanted Screen (2006), with Q&A to follow 1 p.m.

TUESDAY (March 13): An ITVS Community Cinema screening of the hot coffee investigation Black Gold (Marc and Nick Francis, U.K., 2006) with discussion to follow 5:30 p.m.

701 Mission (at Third Street, in Yerba Buena Gardens), 978-2787, $8 save as noted. This venue's Screening Room is a home for film and video programs of all sorts.

WEDNESDAY (March 7): Todd Rohal's The Guatemalan Handshake (2006), an independent film exploring "unusual human behavior" after a mysterious disappearance 7:30 p.m.

THURSDAY (March 8): The Human Rights Watch International Film Festival screens The Camden 28 (Anthony Giacchino, 2006), tracing the aftermath of a 1971 antiwar action 7 p.m. Daily life near a concentration camp, recorded in KZ (Rex Bloomstein, U.K., 2005) 8:45 p.m.

SUNDAY (March 11): S.F. Cinematheque's Cinema of Shock program presents Kurt Kren's 16/67 September 20 ("kinetically edited bodily fluids"), Jon Moritsugu's Mommy, Mommy, Where's My Brain?, Valie Export's Remote, Remote ("takes the act of self-mutilation to extremes") and Mike Kelley and Paul McCarthy's Heidi ("dysfunctional horror film with stuffed animals") 7:30 p.m.


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