Get SF Weekly Newsletters
Pin It

Privacy Please: Covering a SOMA Hotel to Keep Seniors Happy 

Wednesday, Mar 6 2013

The Planning Commission is not sexy. Phonebook-sized case summaries before the Planning Commission are not sexy. But a line unearthed from one 425-page case summary does hold within it at least a kernel of sexy.

With regards to a proposed 11-story hotel at 250 Fourth St., neighborhood groups insisted upon "the addition of privacy louvers" for some of the hotel-to-be's floor-to-ceiling windows. Louvers — blinds, essentially — are not exactly a cutting-edge feature for a modern hotel. But in this neighborhood, the combination of floor-to-ceiling windows and an unimpeded view of all going on behind them for gawpers in Yerba Buena Square has likely led many to wish for some judiciously placed screening.

Readers of Kemble Scott's 2007 bestseller SoMa may recall a female character being lured to the Argent Hotel and debauched, not knowing she was participating in a spectator event. That book's author insists that this is not a mere literary creation: Around 2002, he says, people who enjoyed being watched would put on a show at the Argent (which is now the Westin). "This was a thing," insists Scott James, the nom de real life of Kemble Scott. "This was the exhibitionists' hotel of choice."

This, however, was not the inspiration for mandatory louvers. Some of the proposed new hotel's rooms will be situated just 40 feet across an alley from a high-rise senior center. John Elberling is the CEO of TodCo, which runs eight affordable residential facilities in SOMA — and he's less concerned about his residents viewing lusty guests out their windows than guests of any sort peering in the windows of the elderly residents. "Rather than have seniors need to have their blinds closed all day, if the hotel is going to have floor-to-ceiling windows, they should install these louvers," he says. Informed of the reputation of the Westin around the corner, he laughs. "Sunbathers? Flashers? I can tell you that did not come up."

Alas, no voyeur-friendly scenes appeared during a recent nocturnal voyage to Yerba Buena Square. Human figures are clearly visible in the Westin's wide windows, but discerning what's going on would require binoculars. A pair of Yerba Buena janitors affirmed that large groups of binocular-toting men do not congregate in the area; the closest thing to quirkiness in the park was a fire-dancer. In the heady days of the early 21st century, folks may have braved the cold to catch a glimpse of distant couples slamming away, many floors above. In 2013, however, there's likely an app for that.

About The Author

Joe Eskenazi

Joe Eskenazi

Joe Eskenazi was born in San Francisco, raised in the Bay Area, and attended U.C. Berkeley. He never left. "Your humble narrator" was a staff writer and columnist for SF Weekly from 2007 to 2015. He resides in the Excelsior with his wife, 4.3 miles from his birthplace and 5,474 from hers.


Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed


  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"