Get SF Weekly Newsletters
Pin It

Misc. Reviews 

Beverly Hills' dark underbelly

Wednesday, Jul 19 2006
Comments
You know what's so great about high school? The free time. You can sit around all day, popping zits, talking about which girls have the biggest hooters, imagining what it would be like if Axel F had fallen in love with his pal Jenny in Beverly Hills Cop. OK, maybe everyone didn't wax philosophical about '80s blockbusters, but not everyone's stuck in rural Vermont like Marco Panella and Joe Weisenthal were. Throughout the mid-'90s, the duo — who now live in San Francisco and New York City, respectively — came up with the idea of an alternative soundtrack to the Eddie Murphy comedy, in which his character pursues an old flame from Detroit to Los Angeles, with music that would play right alongside the film, like those Pink Floyd-meets-The Wizard of Oz sync-ups.

After years of playing in jazz and indie-rock bands, Panella and Weisenthal have completed the first third of the score, releasing Dark Side of the Cop's eponymous debut on Panella's Auger Down Records. On tunes like "Paradise Lost and Found" and "Flying Fists and Flashing Lights," Panella re-envisions the blockbuster soundtrack — and vintage Prince, much like Hot Chip — by layering cheap synths and drum machines over acoustic guitars for a sleepy, glitchy, quietly addictive kind of electroni-funk. Fellow Vermont native Tyler Gibbons serves as vocalist, delivering the stanzas in a sexy whisper. The lyrics occasionally drop allusions to the movie — mentioning Motown, freeway chaos, and the art world — but ultimately this is a story of unrequited love, full of clever imagery ("Feels like shooting blanks at a zombie/ He just won't go down") and melancholic phrases ("The scars that heal quickly are the ones on your face"). In the end, it's like Harold Faltermeyer remixed by Aphex Twin, with Bryan Ferry's nephew crooning along. Can't wait for the Bronson Pinchot song in installment two.

About The Author

Dan Strachota

Comments

Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed
  1. Most Popular

Slideshows

  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"