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Kinski 

Alpine Static

Wednesday, Jul 13 2005
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With unprecedented candor for a music critic, I'm going to admit that I don't know much about the kind of music Kinski plays. Those of you well versed in the language of space rock, post-rock, whatever, are undoubtedly already aware of the myriad ways Kinski can be heartily congratulated/damned for the manner in which it pays tribute to/rips off bands like Mogwai and Jessamine. You people don't need me. For the rest of us dummies, I will now list for you what I thought was neat-o and what kind of sucked on Alpine Static.

Kind of Sucky: So many songs of the churning, sludgy variety that it starts to feel like Kinski's wheels are just stuck and spinning mud everywhere; an entire minute spent solely on one chord (no drums, nothing) at the end of "Hot Stenographer" (actually, this is so ridiculously minimalist, so unabashedly obnoxious, that it's almost entertaining -- almost).

Neat-O: "Waka Nusa," a slow, sweet autumn day of a song; these little repeated guitar trills at multiple pitch levels that open "Edge Set" like a chorus of gossipy bullfrogs; a few pretty fantastic song titles -- "Hot Stenographer," "The Wives of Artie Shaw," "All Your Kids Have Turned to Static."

There. Now it's time to go back to watching reruns of Becker.

About The Author

Rachel Devitt

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