Nartker and Wells use two distinct modes of visual imagery to explore the passage of time and how we interact with the world.
Kate Nartker’s film stills from personal, found, and stock footage, as well from The Library of Congress are presented in weavings and jacquards that give us a new, surprising and tantalizing aspect of pixelation. They are presented in a way that aims to dissolve the depth of an image and at the same time, encourage us to slow our perception of time.