Abrahams' paintings are oil-on canvas abstractions, characterized by large geometric forms painted on raw canvas in black, dark blue or red. Through repetition and subtle interactions between the void and painted form, the sharp compositions focus on structure, rhythm, gravity and negative space. Spreading the oil paint across the painting with a giant palette knife, slight and arbitrary ridges present upon Abrahams’ surfaces that at first appear to be smooth and flat. This process results in an accidental language of movement and depth within the clean, pure abstractions
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