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Our critics weigh in on local theatre

The Lion King. How do you turn a decent cartoon about African wildlife into a lame Broadway musical? 1) Puzzle carefully about the problem of costumes and sets. Pour millions of dollars and hours of mental energy into making your actors look like lions, hyenas, elephants, wildebeests, giraffes, and birds. Solve the problem brilliantly. Hire Julie Taymor to design the magnificent costumes and masks (and to direct the show). Hire Garth Fagan to choreograph elegant, exciting, Afro-Caribbean dance routines. Make sure Donald Holder lights the stage with an eloquent feeling for African distances and sunshine. In general make the show a visual feast. Then, 2) squint in confusion at the script, and 3) carve it up to make room for appalling songs by Tim Rice and Elton John. You'll have a profitable bunch of nonsense with more than one God-soaked number that sounds indistinguishable from bad Whitney Houston. The only cast member who can transcend this mess and give a stirring performance is Thandazile Soni, as Rafiki the monkey shaman, who gets to sing songs like "Nants' Ingonyama," by Lebo M, and other African chants originated by Tsidii Le Loka on Broadway. Bob Bouchard is also funny as Pumbaa the warthog, and Derek Smith plays a perfectly arrogant, sinister Scar, the pretender lion king. Otherwise the show is forced and childish. Adults looking for good theater will be happier when the performers dance instead of trying to act. Through Sept. 5 at the Orpheum Theatre, 1182 Market (at Eighth Street), S.F. Tickets are $26-160; call 512-7770 or visit Reviewed Feb. 11.

The Miser. The best part of this Miser is that director Patrick Dooley hasn't tried to drag Molière's rococo comedy of manners into the 21st century. Valera Coble's period costumes are simultaneously faithful to 1688 and irreverent; everyone wears too many frills. Clive Worsley, as Harpagon the miser, is brilliant; his elaborate, preening viciousness keeps him literally on the toes of his pointed shoes for most of the play. Andy Alabran also does strong, flamboyant work as his son, Cléante, who loves Marianne (Meghan Doyle), a rich young thing, but can't get the money from his father to marry her, because Harpagon a) is too stingy and b) has proposed to Marianne himself. The father-son rivalry fuels most of the satire until someone steals Harpagon's chest of 10,000 crowns. The production is witty, energetic, and (suitably) free: The Shotgun Players depend this year on donations rather than ticket sales. Through May 2 at the Julia Morgan Center for the Arts, 2640 College (at Derby), Berkeley. Call (510) 704-8210 or visit Reviewed April 21.

The Time of Your Life. William Saroyan's snapshot of San Francisco just before World War II can be sentimental, old-fashioned, and cheesy; a director needs a steely-eyed vision of the play in order to make it work. Tina Landau, happily, knew just what she was doing when she directed The Time of Your Life at Chicago's Steppenwolf Theater two years ago. Now she's brought it to ACT -- in a co-production with Seattle Rep -- with brilliant results. The regulars at Nick's Pacific Street Saloon could be played as paint-by-numbers Local Color, but Landau's cast avoids the trap either by exaggerating the roles or by diving straight through them. The action moves up and around the audience, onto scaffoldings and into the box seats. The play literally overflows the stage, and Landau finds the real, democratic feeling behind Saroyan's effusions. Through May 2 at the Geary Theater, 415 Geary (at Mason), S.F. Tickets are $30; call 677-9596 or visit Reviewed April 7.

Also Playing

After the Fall: Actors Theatre's revamp of Arthur Miller's autobiographical play about a lawyer who analyzes his life's successes and failures, 8 p.m. Thursdays-Saturdays, 7 p.m. Sundays, through May 22; $5-$20. Actors Theatre San Francisco, 533 Sutter (at Powell), 296-9179.

Antigone Falun Gong: Sophocles' original debate over individual rights versus the power of the state easily takes to Cherylene Lee's adaptation, which centers on Antigone's decision to defy the state by openly practicing a forbidden religion, 8 p.m. Wednesdays-Saturdays, 2 and 7 p.m. Sundays, through May 16; $28-$40. Aurora Theatre, 2081 Addison (at Shattuck), Berkeley, 510-843-4822.

Are We Almost There?: Morris Bobrow's rollicking, long-running musical comedy about the trials and tribulations of travel, 8 p.m. Fridays and Saturdays, $20-$22. Shelton Theater, 533 Sutter (at Powell), 433-3040.

Assassins: This black comedy musical takes a look at the lives of 13 notorious killers from John Wilkes Booth to John Hinckley, Jr., 3 p.m. Thursdays-Saturdays, beginning Friday, April 30, 2 p.m. Sundays, through May 9; $8-$10. SFSU Campus/McKenna Theater, 1600 Holloway (at 19th Ave.), Creative Arts Bldg., 338-2467.

BATS: Sunday Players: Each week Bay Area Theatresports players pit their improv work against all comers as the audience votes them off one by one until the winner stands alone on the stage, 8 p.m. Sundays, $8, 474-6776 (information). Fort Mason, Bldg. B, Marina & Buchanan.

Beach Blanket Babylon: This North Beach perennial features crazy hats, media personality caricatures, a splash of romance, and little substance, 8 p.m. Wednesdays and Thursdays, 7 and 10 p.m. Fridays and Saturdays, 3 and 7 p.m. Sundays, $25-$65. Club Fugazi, 678 Green (at Powell), 421-4222.

Cabaret Girl: 42nd Street Moon takes on this 20s-era musical about a cabaret troupe that impersonates a noble family, 8 p.m. Thursdays and Fridays, 6 p.m. Saturdays, 3 p.m. Sundays, through May 16; $17-$30. Eureka Theatre, 215 Jackson (at Front), 788-7469.

The Canterville Ghost: Based on an Oscar Wilde novella, this comic tale follows an American family who moves into a haunted house, 8 p.m. Fridays, 2 p.m. Saturdays and Sundays, through May 9, $5-$10. New Conservatory Theatre Center, 25 Van Ness (at Market), 861-8972.

Die Fledermaus: Strauss' classic comic opera is dusted off by Opera San Jose, 8 p.m. Thursday, April 29, through Sunday, May 2, $43-$63. Montgomery Theater, Market & San Carlos, San Jose, 408-277-3900.

Dirty Blonde: Claudia Shear's comedy follows the exploits of Mae West and two of her many lovers, 8 p.m. Wednesdays-Saturdays, 2 p.m. Sundays, through June 26; $10-$25. New Conservatory Theatre Center, 25 Van Ness (at Market), 861-8972.

Dybbuk: The Traveling Jewish Theatre company's adaptation of the Yiddish theater classic story of a love affair so powerful not even death can destroy it, 8 p.m. Thursdays-Saturdays, 2 and 7 p.m. Sundays, through May 23; $18-$30. Traveling Jewish Theatre, 470 Florida (at Mariposa), 285-8282.

EUBIE! The Music of Eubie Blake: Relive the Roaring Twenties and the legendary artistry of Eubie Blake as San Francisco performers take on classics like "Charleston Rag" and "I'm Just Wild About Harry," 8 p.m. Thursdays-Saturdays, through May 16, $20-$35. Lorraine Hansberry Theatre, 620 Sutter (at Mason), 474-8800.

Fringe of Marin Festival: A quirky slate of one-acts and solo performance pieces dominates this multiweek annual event, 7:30 p.m. Friday, April 30, and Saturday, May 1, 2 p.m. Sunday, May 2; $3-$10. Meadowlands Assembly Hall, Dominican College, 50 Acacia, San Rafael, 457-4440.

Hairspray: A zaftig girl finds love, acceptance, and her dancing chops in this musical comedy, through July 3, $36.50-$81, see for a schedule of performances. Golden Gate Theatre, 1 Taylor (at Market), 512-7770.

The Importance of Being Earnest: The Asian American Theater Company's adaptation of Oscar Wilde's classic adapts its language to that of modern San Francisco, 8 p.m. Fridays, 8 and 10 p.m. Saturdays, through May 29; $15-$35. Off-Market Theater, 965 Mission (at Fifth St.), 896-6477.

Joseph and the Amazing Technicolor Dreamcoat: Andrew Lloyd Webber and Tim Rice's religion-themed musical is dusted off by the City College of San Francisco Music and Theatre Arts Departments, 8 p.m. Friday, April 30, and Saturday, May 1, 2 p.m. Sunday, May 2. Diego Rivera Theater/CCSF, 50 Phelan (at Judson), 239-3100.

"Mission Movie Magic": Help support the locally produced independent Mission Movie with this fund-raiser featuring a candlelit four-course meal, a silent art auction, and dinner-theater performances from artists such as tongue-in-cheek international folk vocal group JouJou, idiosyncratic instrumentalists Go Van Gogh, and throat-singing beatboxer extraordinaire Kid Beyond, 6 p.m. Thursday, April 29, $35-$50, 364-3082 (information). Cell Space, 2050 Bryant (at 18th St.), 648-7562.

Mooi Street Moves: Paul Slabolepszy's tense drama follows a range of characters struggling to survive in South Africa, 8 p.m. Thursday, April 29, through Saturday, May 1, 3 p.m. Sunday, May 2; $9-$22. Berkeley City Club, 2315 Durant (at Ellsworth), Berkeley, 510-843-4822.

Mystery of Irma Vep: Charles Ludlam's cult play spoofs Victorian penny dreadfuls and classic horror films, 7 p.m. Wednesdays, 8 p.m. Tuesdays, Thursdays and Saturdays, 2 and 7 p.m. Sundays, through May 23; $39-$55. Berkeley Repertory's Thrust Stage, 2025 Addison (at Shattuck), Berkeley, 510-647-2949.

Not a Genuine Black Man: KGO talk show star and comic Brian Copeland's solo show talks about growing up black in one of the most racist suburbs of America -- San Leandro, 8 p.m. Thursdays-Saturdays, through May 15; $15-$22, 641-0235 (information and reservations). The Marsh, 1062 Valencia (at 22nd St.), 826-5750.

San Francisco Improv Festival: Twelve weeks, hundreds of performances in this all-impromptu-theater extravaganza, through June 26, see for a schedule of events. Multiple locations.

The Sisters Rosenweig: Actors Ensemble of Berkeley takes on Wendy Wasserstein's droll comedy about a tumultuous family reunion, 8 p.m. Fridays and Saturdays, through May 16, $10, 510-649-5999 (information). Live Oak Theater, 1301 Shattuck (at Berryman), Berkeley, (510) 704-8210.

Slaughter City: Naomi Wallace's riveting drama explores the trials and tribulations of assembly-line workers at a meat processing plant, 8 p.m. Thursdays-Saturdays, through May 8, $15-$20, 675-5995 (information). Exit Theatre, 156 Eddy (at Taylor), 673-3847.

Smell of the Kill: A darkly comic look of three miserable wives who argue over whether they should free their husbands from the meat locker they're trapped in, 8 p.m. Wednesdays-Saturdays, through May 15, $30-$50. The Playhouse, 536 Sutter (at Powell), 677-9596.

Strange Travel Suggestions: Inveterate traveler Jeff Greenwald spins tales of his worldwide journeys, 8 p.m. Wednesdays, through May 26, $15-$22. The Marsh, 1062 Valencia (at 22nd St.), 826-5750.

Stretchmarks: Growing Into Motherhood: Four mothers share tales of pregnancy, childbirth, and rearing in this original comic show, 8 p.m. Thursdays-Saturdays, 1 p.m. Sundays, through May 9; $20-$22, 289-2289 (reservations). Phoenix Theatre, 414 Mason (at Geary), Suite 601, 989-0023.

The Sweet New: Raymond Rea's play takes a look at social, political, and emotional changes in three generations of an Italian-American family, 8 p.m. Fridays and Saturdays, through May 8, $15-$20. Exit Stage Left, 156 Eddy (between Taylor & Mason), 673-3847.

Teatro ZinZanni: A blend of European cabaret, circus arts, and original music with a five-course gourmet dinner, in an open-ended run, 6 p.m. Wednesdays-Saturdays, 5 p.m. Sundays; $99-$125, 438-2668 (tickets), Pier 29, Embarcadero (at Battery), 273-1620.

Thoroughly Modern Millie: The Tony Award-winning musical about a flapper who takes Jazz Age New York by storm, 8 p.m. Wednesday, April 28, through Friday, April 30, 2 and 8 p.m. Saturday, May 1, 1 and 6:30 p.m. Sunday, May 2; $45-$72. San Jose Center for the Performing Arts, 255 Almaden (at Park), San Jose, 408-277-5277.

A Transylvanian in Silicon Valley: Romanian expatriate Silvian Centiu tells the remarkable comic story of how he transformed himself into a Silicon Valley programmer, 8 p.m. Fridays and Saturdays, beginning Saturday, May 1, through May 20; $20. Actors' Theatre Second Stage, 533 Sutter (at Powell), 820-3929.

Valparaiso: Don DeLillo's comic drama dissects the modern desire to make one's mark upon the mass media, 8 p.m. Thursdays-Saturdays, through May 8, $15-$25. Exit Theatre on Taylor, 277 Taylor (at Ellis), 673-3847.


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