Tragic singer, horrible dancer and surreal raconteur, the hysterically funny Dina Martina debuted at Seattle’s Center on Contemporary Art in 1989, instantly gleaning reviews that dubbed her “magically warped”, “hilariously unfortunate” and “utter genius”. Since then, she’s packed venues in New York, Los Angeles, London, Toronto and San Francisco and shared the bill with acts such as Margaret Cho, Alan Cumming, Nina Hagen, Modest Mouse and Village People.
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