Get SF Weekly Newsletters
Pin It

Carrie Fisher Roasts Herself with a Toast at Berkeley Rep 

Wednesday, Mar 12 2008
Comments

Carrie Fisher's solo show feels less like a play and more like cocktails over at her house. Within five minutes, Fisher has kicked off her shoes, poured herself a massive glass of Diet Coke, lit a clove cigarette, and asked the audience if they have any questions. While obviously there's a scripted tale to be told about her life in and out of rehab and the tabloids, Fisher has a generous personality and clearly enjoys plenty of audience interaction. On a beautifully designed living room set by Alexander V. Nichols, images and bits of film are projected to accompany her tumultuous life. Fisher was the celebrity spawn of 1950s teen idols Debbie Reynolds and Eddie Fisher, and, as many know from her book Postcards from the Edge, she had quite an affinity for drugs ("Some say religion is the opiate of the masses, but for me, I took opiates religiously"). The Star Wars segment will seem all too brief for fans, but is highlighted with George Lucas' declaration that there is no underwear in space. Her marriage to Paul Simon is absorbing (who knew that much of his album Rhythm of the Saints was all about her?), but this play is rooted solidly in her diagnosis as a manic-depressive. Some segments border on self-indulgence, and 30 minutes could easily be trimmed, but it is undeniably appealing watching Fisher expose the beautiful and ugly bits of her life with such a big heart.

About The Author

Nathaniel Eaton

Comments

Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed

Slideshows

  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"