Get SF Weekly Newsletters
Pin It

Also Playing 

Our critics weigh in on local theater

Wednesday, Dec 26 2007

Based on a Totally True Story. Halfway through New Conservatory Theatre's production about a young writer trying to navigate the temptation and disappointment of Hollywood, the protagonist exclaims, "I refuse to be a cliché!" Too bad he's stuck in such an overdone and tired plotline: Naive scribe gets his small play optioned for a blockbuster movie, and while doing artistically degrading rewrites, ruins his love life and everything that really "matters." As the title suggests, this is an autobiographical story by New York playwright Roberto Aguirre-Sacasa (who wrote last year's sharp production of The Mystery Plays at SF Playhouse). In real life, Aguirre-Sacasa writes for Marvel Comics (Fantastic Four and Spider-Man) and pens M. Night Shyamalan–esque plays. The unique behind-the-scenes details of plotting comic books and the specifics of an overextended writer's daily life rise above the remaining clichéd material here. The troubled relationship between the father and son also works, but the overexuberant acting style and hackneyed dialogue tend to gloss over the emotional arc of the story, leaving us with what feels like a episode of a second-rate TV show. Through Dec. 30 at New Conservatory Theatre Center, 25 Van Ness (at Oak), S.F. Tickets are $22-$34; call 861-8972 or visit (Nathaniel Eaton) Reviewed Dec. 5.

Camino Real. Tennessee Williams' 1953 stream-of-consciousness fantasia set in a timeless no man's land is difficult to stage. The largely plotless drama revolving around broken dreams and futile attempts to escape the confines of a dead-end, vaguely Latin American seaport features a staggering 36 characters and many extras. Some of them are products solely of Williams' imagination. Others are figures from legend and history, such as Don Quixote, Jacques Casanova, and Lord Byron. Biz Duncan's set design for Actors Theatre's ambitious but otherwise arrhythmic, navel-gazing production manages to conjure Williams' claustrophobic dreamscape with its high yet flimsy-looking walls. To their credit, directors Christian Phillips and Keith Phillips explore every corner of the space, setting scenes at ground level, overhead on balconies, and even up and down the aisles that flank the seating area. Unfortunately, the acting and pacing of the production don't live up to the creativity of the set. Each of the 16 multiple-part-playing cast members seems to be starring in his or her individual, private play. Williams helpfully announces each of the 16 scenes (or "blocks") in his play as it progresses. The blocks do not go by fast enough. Jan. 4-12, 2008, at Actors Theatre of San Francisco, 855 Bush (at Mason), S.F. Tickets are $20-$30; call 345-1287 or visit (Chloe Veltman) Reviewed Nov. 14.

Cinderella. The more freewheeling the fun, the better the show in the African-American Shakespeare Company's rendition of the familiar holiday children's story. When the whole cast suddenly bursts onto the stage for a joyous 1950s dance number, or the two Ugly Stepsisters get into an all-out wrestling match over Prince Charming, the audience gets sucked into the silly, infectious affair. The show lags when the cast falls back on straightforward storytelling, delivering the well-worn tale competently but without much fire or flair. But thankfully this brisk 85-minute show (with intermission) wastes little time with plot details. And why should they? We all know the story, even the 5-year-olds among us. We came to see Cinderella and Prince Charming (Ayana Matthews and Justin Chu Cary, who are, well, charming) sweep across the dancefloor. And the more the cast lets rip, the more we get caught up in this tale of how love and goodness really can conquer all. Through Dec. 30 at Zeum, 221 Fourth St. (at Howard), S.F. Tickets are $10-$25; call 762-2071 or visit (Molly Rhodes) Reviewed Dec. 19.

Cirque du Soleil: KOOZA. The last few Cirque du Soleil touring shows (Dralion, Varekai, Corteo) were so slick and so mass-marketed to general audiences that the action under the blue and yellow tent had become ho-hum. The company had strayed from circus' roots of bona fide danger and mystery and become quite Disneyfied. Not so with KOOZA, easily its best since the deliciously dark Quidam premiered more than a decade ago. Directed by David Shiner (who upstaged Bill Irwin in the Tony Award–winning clown extravaganza Fool Moon), this production feels like a heart-pumping cocaine binge for thrill addicts. The Indian-themed band has no problem blasting it out like Metallica while Darth Maul jump-ropers run like hamsters inside the mammoth "death wheel." One misstep could lead to devastating injury in many of these acts. A high-wire performer did indeed slip the night I attended, and was left precariously hanging by one arm as a reminder of the risks being taken for our entertainment. There's a peeing dog, a unicycle contortion act, Vegas skull girls, and a brilliant pickpocket, as well as clowns who are genuinely funny. And while this show is darker (one sinister character enters covered in crawling sewer rats), it is still beautifully grounded in the dreams — and nightmares — of a child. Through Jan. 20 behind AT&T Park, 24 Willie Mays Plaza (at Third and King sts.), S.F. Tickets are $38.50-$90; call 800-678-5440 or visit (N.E.) Reviewed Dec. 12.

Mrs. Bob Cratchit's Wild Christmas Binge. Christopher Durang's inane yet witty spoof on Charles Dickens' A Christmas Carol might look at the very outset like a faithful retelling of the Victorian novelist's yuletide favorite. But things quickly derail. Instead of focusing on Ebenezer Scrooge's heart-warming journey from sourpuss to sweetheart, Durang turns his attention to Cratchit's wife, a hard-bitten protofeminist whose idea of a fun way to spend the holiday season (as Durang, not Dickens, would have it) is getting drunk alone in a bar before throwing herself off a nearby bridge. From the random appearances of characters from other Dickens novels such as Oliver Twist and The Old Curiosity Shop to the helium-filled song lyrics ("Be happy and perky, you're gonna eat turkey/Be snippy and snappy, 'cause Christmas is happy," etc.) Durang makes an eggnog shake out of Dickens' fable. SF Playhouse's cast and production team appear to relish every sip. Under Joy Carlin's bold but punctilious direction, the actors gleefully stamp up and down on set designer Kim A. Tolman's massive three-dimensional reconstructions of dog-eared hardback books, making a strong statement about the play's irreverent approach to so-called "classics." Scenes like the one in which Bob Cratchit and his children unwittingly torture the carol-hating Scrooge with their painful rendition of "Silent Night" performed at an insufferably slow pace hilariously send up hackneyed Christmas traditions. Ironically, the annual ritual of performing A Christmas Carol has to be among the most hackneyed of all. Through Jan. 12 at SF Playhouse, 533 Sutter (at Powell), S.F. Tickets are $38; call 677-9596 or visit (C.V.) Reviewed Dec. 19.

Also playing

BATS: Sunday Players: Each week Bay Area Theatresports players pit their improv work against all comers as the audience votes them off one by one. Sundays, 8 p.m., $8, Fort Mason, Bldg. B (Marina & Buchanan), 474-6776.

Beach Blanket Babylon: A North Beach perennial featuring crazy hats, media personality caricatures, a splash of romance, and little substance. $25-$65. Beach Blanket Babylon NYE: Mon., Dec. 31, 7 & 10:15 p.m., $65-$190. Club Fugazi, 678 Green (at Powell), 421-4222.

"Sandra Bernhard's All-New NYE Extravaganza": Queer-friendly comedy. Mon., Dec. 31, 11 p.m., $35-$100, Castro Theatre, 429 Castro (at Market), 621-6120,

Big City Improv: Actors take audience suggestions and create comedy from nothing. Fridays, 10 p.m., $15, Shelton Theater, 533 Sutter (at Powell), 433-1226,

"Comedy on the Square: NYE Comedy & More": w/ Brent Weinbach, Michael Meehan, Lynn Ruth Miller, Tony Sparks, R-rated jokesters. Mon., Dec. 31, 10:30 p.m., $45, Actors Theatre San Francisco, 855 Bush (at Taylor), 345-1287.

"Comedy on the Square: NYE Magic & More": w/ Fred Anderson, Big Al Catraz, Adam Sachs, Sean McMahon, Lynn Ruth Miller, family-friendly event. Mon., Dec. 31, 8 p.m., $45. Actors Theatre San Francisco, 855 Bush (at Taylor), 345-1287.

The Golden Girls: The Play: Through Dec. 29, 8 & 10 p.m., $20, The Finn Gallery, 814 Grove (at Fillmore).

"Marga Gomez' NYE Spectacular": Comedy cavalcade. Mon., Dec. 31, 7 p.m., $25. Theatre Rhinoceros, 2926 16th St. (at South Van Ness), 861-5079,

Improv Revolution: With a different cast of top-notch improvisers. Every other Thursday, 8 p.m., $10. Off-Market Theater, 965 Mission (at Fifth St.), 896-6477,

Jersey Boys: The story of Frankie Valli and the Four Seasons, and how they went from a group of blue-collar boys from the wrong side of the tracks to one of the biggest American pop music sensations of all time. Through Dec. 30, $30-$90. Curran Theatre, 445 Geary (at Taylor), 551-2000.

Jesus Christ Superstar: A dramatized version of the last seven days in the life of Jesus of Nazareth. Dec. 27-30. San Jose Center for the Performing Arts, 255 Almaden (at Park), San Jose, 408-277-5277.

Love, Chaos & Dinner: A blend of European cabaret, circus arts, and original music with a five-course gourmet dinner. Wednesdays-Saturdays, 6 p.m.; Sundays, 5 p.m., $99-$125, Pier 29, Embarcadero (at Battery), 273-1620.

Magic Holiday: A kids' show featuring two magicians and a juggler by David Hirata and friends. Through Dec. 30. The Marsh, 1062 Valencia (at 22nd St.), 826-5750,

Monday Night Improv Jam: It's been all around town, doubled, then disappeared ... and now it returns. Mondays, 8 p.m., $5, Off-Market Theater, 965 Mission (at Fifth St.), 896-6477,

Monday Night Marsh: Each week a different lineup of musicians, actors, performance artists, and others takes the stage at this regular event. Mondays, $7. The Marsh, 1062 Valencia (at 22nd St.), 826-5750,

Murder Mystery Dinner: A mystery dinner that begins with detectives gathering to split $5 million in royalties from their latest book. Includes fruit and cheese reception and three-course dinner. One Saturday a month. Call for specific date. 6 p.m., $95, Queen Anne Hotel, 1590 Sutter (at Octavia), 441-2828.

The SantaLand Diaries and Season's Greetings: Through Dec. 30, 8 p.m., $25, Eureka Theatre, 215 Jackson (at Front), 788-7469,

Shaker Chair: Shotgun Players' drama about environmental activism, written by Adam Bock. Through Jan. 13, 2008. The Ashby Stage, 1901 Ashby (at MLK Jr.), Berkeley, 510-841-6500.

Siddhartha, the Bright Path: The story of Prince Siddhartha's journey to become the Buddha, told in parallel with that of a modern-day San Francisco girl. Through Jan. 6, 2008. The Marsh, 1062 Valencia (at 22nd St.), 826-5750,

Songs to Offend Almost Everyone: A cabaret designed to offend, written by Sharon McNight. Through Dec. 30. New Conservatory Theatre Center, 25 Van Ness (at Market), 861-8972,

Teatro ZinZanni: A bewitching evening of European cabaret, cirque arts, theatrical spectacle, and original live music, all blended with a five-course gourmet dinner. Wednesdays-Saturdays, 6 p.m., $116-$140, 438-2668, Pier 29, Embarcadero (at Battery), 273-1620.


Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed
  1. Most Popular


  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"