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A Twisted Tale 

A well-known erotic performer is now an international fugitive. A look into who’s getting caught up in the identity theft crackdown.

Wednesday, Jan 24 2007
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The two quickly became best friends. They started performing together in what Clark describes as "kind of avant-garde, blood ritual, typical bondage-a-go-go" performance pieces. When Clark made his first adult film, a soft-core film named Asianatrix: Suffering Eternal, Jade was the original star. She also appeared in his other soft-core work, Queen of Pain: Mistress Shane and the unreleased Salome 2000.

Jade offers no apologies that she's had sex on camera for the world to see, and says she's grateful that adult film gave her the chance to share herself in "the most intimate way." Nor does she judge men who have a fetish for Asian women. She says she believes there's a difference between play and real life, that the world would be a better place if more people could express their sexual fantasies in a safe space where nobody gets hurt. "With sexuality and fantasies, I think whatever flies is whatever flies," she said.

She appeared in nine of Clark's films altogether, including Diary of a Mad Porn Director. They both also appeared in a porn comedy titled Kung Fu Girls featuring Jade as the Evil Ninja Queen who is out to take over the world. But first she must defeat Chow Down Soon's Kung Fu Academy. Jade stands out in that video as the only actress who demonstrates martial arts skills. And Kung Fu Girls is so bad that even the Evil Ninja Queen herself seems on the brink of laughing over her lines.

Both Jade and Clark seem far more at home in his own creations, such as the 2003 video Asia Noir 3. In it she appears as "The Judge," a vision of a doctor working in an asylum — a kind-of fragmented identity of a patient he is trying to treat. She wakes up in a padded room wearing lace-up knee-high black stiletto boots, a long black hooded cape, stage makeup, and little else. Jade-Blue does a seductive lap dance before the two have sex in various places around his office, and then she apparently kills him, splattering his blood on his exam room wall. At one point in the video, she walks through a hallway clouded with smoke before appearing at the doctor's desk with her body in mid-air, balanced on one hand.


Living under the shadow of being an undocumented immigrant kept catching up to her. Jade had to fill out paperwork when applying for jobs, whether it was to work as a porn actress or bike messenger, which inevitably led to being asked if she was a citizen. Jade would say that she was, and the paper trail against her grew.

There's no better example of Jade's immigration woes stifling her chances to go legit than her acrobatics and contortion career.

She started training with a renowned acrobatics instructor named Lu Yi at San Francisco's Circus Center. At 23, an age when many acrobats have been practicing for years, Jade was untrained and yet mastered dozens of new maneuvers with incredible flexibility and drive. By practicing up to eight hours a day, every day, Jade learned to balance on her hands, do back handsprings, and twist her body in all kinds of new ways. Her drive to train became all-consuming, one she likens to a burning desire, a curse, and obsessive-compulsive disorder.

Video footage of Jade training with Lu Yi from the spring of 2003 reveals her impressive focus on and dedication to perfecting tricks and pleasing her teacher. She flipped her body into one back handspring after another as Lu Yi offered encouragement and guidance. He then led her over to a wooden bench she used to practice contortion and hand-balancing routines. Jade raised herself into a perfect handstand, then spread her legs like scissors — one in front, one in back. Next she twisted herself into countless complicated positions, usually while balancing on one hand. Around her new mentor she seemed shy, timid, and eager for Lu Yi's approval. She looked down often and said "Thank you, sir" when he offered his assistance on her contortion routine.

After practice that day, Jade praised acrobatics for teaching her about discipline, hard work, and persistence. She admitted in the video that training at the Circus Center wasn't easy for her, especially at first. When she first met Lu Yi, she hated him and thought he was an old-school and closed-minded teacher. Then she started training and found herself wanting to follow him around all day. "I really needed, I think, a good male figure in my life to take care of me," Jade said. "And he fulfilled that."

While training with Lu Yi, Jade got what many acrobats would consider to be their big break. Cirque du Soleil wanted to hire her for Zumanity, its Las Vegas show devoted to eroticism, acrobatics, and sensuality. But it required months of training in Canada. Being an undocumented immigrant, which helped drive her mother out of the country more than a decade before, now kept Jade from leaving to launch a new career.

It wasn't that Jade hadn't tried to get a green card. She'd spoken to many immigration lawyers, but they told her she had too many records on file where she'd already claimed to be a citizen.

Cirque du Soleil considered getting involved to help her obtain legal status, but ultimately decided it would be too risky. Jade says they were also worried her paperwork wouldn't arrive in time for the debut of the show.

Her friends always knew she didn't have legal status, but it was at about this time that they started to witness how much it was affecting her. "I found it heartbreaking," David Aaron Clark said. "When Cirque du Soleil announced they were going to do the erotic show, she bounced through the audition. I thought, wow, she's going to have a platform now."

About The Author

Mary Spicuzza

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