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    Culture, Encore

    Also Playing

    Day 19. There's a shroud of mystery around performances of Day 19. There's no phone number to get tickets, only an e-mail address for a gentleman from Poland. The Web site for the Scrap and Salvage theater company profiles the…
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    Culture, Stagecap

    Gone

    When all the theatrical elements come together, Crowded Fire's production of Charles L. Mee's jagged riff on the state of human nature is truly something to behold. Jarrod Fischer's lighting, Rod Hipskind's set, Cliff Caruthers' sound, and Marissa Wolf's directing…
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    Culture, Encore

    Also Playing

    Big Love. If Aeschylus and Karen O. had a baby, it might look something like FoolsFury's latest production. Charles Mee's fascinating text collage steals liberally from the old Greek's play The Suppliant Women, The Pillow Book of Sei Shonagon (from…
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    Culture, Stagecap

    Big Love

    If Aeschylus and Karen O. had a baby, it might look something like FoolsFury's latest production. Charles Mee's fascinating text collage steals liberally from the old Greek's play The Suppliant Women, The Pillow Book of Sei Shonagon (from Japan in…
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    Culture, Encore

    Encore

    Caroline, or Change. Tony Kushner's Caroline, or Change, with music by Jeanine Tesori, which came to San Francisco with much of the original Broadway cast intact, isn't your typical musical. At no point does the central character, Caroline Thibodeaux (Tonya…
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    Culture, Stage

    Fêtes de la Nuit

    One of the biggest theatrical hits in Paris last year was a comédie-musicale called Zapping! that, with its relentlessly chirpy medley, lovingly regurgitated many of the French's favorite bits of American pop culture from Grease to Gene Kelly. Berkeley Rep's…
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    Calendar, Performance Disappear Here

    Disappear Here

    THURS 2/3 The Kafka-esque scenario of Indigo Don't Vote, a dark staged comedy written by Andrew Ward and Gabriel Goldstein, is eerily similar to Steven Spielberg's film The Terminal: Each work includes a Third World country that has ceased to…
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    Culture, Stage

    Wintertime

    Charles Mee has mastered a playwriting formula all his own that mixes farce, theories of love, and the ancient Greeks. Wintertime throws in an homage to Shakespeare's A Winter's Tale for good measure, but still manages not to be profound.…
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    Culture, Stage Love and War

    Love and War

    Charles Mee's plays are so eclectic and cheerfully bizarre that they begin to blur together. Summertime was about falling in love; it featured rants by a murderous pizza-delivery boy as well as a bikini-clad mother who broke into songs about…
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    Culture, Stage Love,  Love, Love

    Love, Love, Love

    Gore Vidal proposed in 1959 that love "be adopted as the American theater's official anthem. Just name your problem, sit back and let love solve it: race prejudice, foreign relations -- even Job reeling beneath the unkind attentions of a…
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    Culture, Stage Mediterranean Spring

    Mediterranean Spring

    When Tony Taccone spoke last week at the ribbon-cutting for his company's new auditorium -- the Berkeley Rep's expensive Roda Theater -- he complained, briefly, about all the journalists who keep asking why he picked the Oresteia for its inaugural…
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    Culture, Stage Sunshiney Day

    Sunshiney Day

    Charles Mee's new play, as the title implies, is happy. Charles Mee himself, in fact, is happy. He fell in love a few years ago and his playwriting has been optimistic and cheerful ever since. So it should be no…
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    Calendar, Night&Day

    Summer of Love

    As director Ken Watt describes it, Summertime comes off like "free-flowing jazz riffs on love and passion," although it's the messy, inconsistent passion of ordinary relationships rather than the epic romance of the movies. As he did in previous works…
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Slideshows

  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"

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