Get SF Weekly Newsletters
Pin It

"100 Years of Political Theatre, Series A" 

A too-long two-act play launches this "one-act" festival

Wednesday, Sep 8 2004
Comments
Eastenders' fifth annual One-Act Festival has a political theme this year. The troupe offers a century's worth of dissident playwriting, from early Soviet Russia through South Africa to the present-day United States. But the first thing to point out about The Bedbug -- a satire by Vladimir Mayakovsky that kicks things off in "Series A" (there are three "series," or nights, to choose from) -- is that it's not a one-act: It has an intermission. As a satire of communist Russia it's also not very funny. A true-believing Soviet bureaucrat in 1929 falls into a deep freeze and wakes up 50 years later, in a 1979 imagined by Mayakovsky to be sterile and almost robotic, where functionaries vote after being plugged in. Compared to these hollow men, the bureaucrat, Prisypkin, resembles Dean Martin after a bender. He wears a rumpled tuxedo -- loose bow tie, untucked shirt, infested with a still-living bedbug -- and likes to drink and smoke. The 1979 Russians put him in a zoo as a specimen of "bourgeois man." The concept is funny, but director Susan Evans should have cut the script radically for a one-act festival. Her cast overplays, diluting all the humor in a mess of forced vehemence and exaggerated gestures, and a lot of the satire is dated. The play exhausts the audience for The Informer, a one-act by Bertolt Brecht from his longer Fear and Misery in the Third Reich. Two German parents, with a portrait of Hitler on the wall, worry that their son has reported them to the Hitler Youth for expressing "reckless" opinions. The acting here is better; Jeff Thompson and Suzan A. Kendall don't have to force their lines, and director Charles E. Polly captures the Germans' ennui. But after Mayakovsky we're not in the mood.

Comments

Subscribe to this thread:

Add a comment

Popular Stories

  1. Most Popular Stories
  2. Stories You Missed

Slideshows

  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"