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Friday, August 14, 2015

52 Tuesdays: An Intimate Family Drama With A Transgender Twist

Posted By on Fri, Aug 14, 2015 at 1:15 PM

DVD box cover - KINO LORBER
  • Kino Lorber
  • DVD box cover

Sophie Hyde’s new film had an unusual filming schedule. 52 Tuesdays was filmed only on one day of the week over the course of a year. The film is divided into a series of segments, all set on Tuesday afternoons.

The beauty of 52 Tuesdays lies in its simplicity — It’s a slow, dialogue-heavy film. Hyde points her camera at her cast and allows them to bare their souls. When the film is over, viewers may feel as if they’ve spent a Tuesday afternoon with old friends. 

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When Bobcat Met Bearcat: Chatting With Bobcat Goldthwait About Call Me Lucky

Posted By on Fri, Aug 14, 2015 at 10:30 AM

Bobcat Goldthwait - CALL ME LUCKY
  • Call Me Lucky
  • Bobcat Goldthwait

Mark Twain's dictum "Humor is tragedy plus time" has repeatedly been restated as the formula "Tragedy plus time is comedy." Filmmaker Bobcat Goldthwait shows how tragedy plus time is activism as well, in Call Me Lucky, his documentary about comedian Barry Crimmins, opening in San Francisco today, Aug. 14. Making use of interviews with famous comics (David Cross, Margaret Cho, Patton Oswalt, Marc Maron, Steven Wright) and others (singer-songwriter Billy Bragg, activist Cindy Sheehan) Call Me Lucky reveals Crimmins as a cantankerous boozehound with a heart of gold.

Like Twain, he honed his humor into sharp satire, targeting two ultimate goals: “I’d like to overthrow the government of the United States, and I’d like to close the Catholic Church.”

Given his stated desire for excommunication, it may not come as a surprise that Crimmins was once an altar boy. He cannily repelled the advances of a pedophile priest years after undergoing a scarring series of events. His wrath toward authority figures and call for justice formed the foundation for his comedy, and as he was developing his voice, he nurtured many fellow talents along the way.

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  • clipping at Brava Theater Sept. 11
    Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'. Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"