When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, it’s a good core workout. If you’re sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
Many of us remember coming home from our elementary schools with freshly glazed pinchpots, cups, or whatever else our young imaginations could conjure up. Saturday mornings at the Randall Museum can bring that memory back, or create a new one for the youngsters. Ceramics make great gifts — especially on Mothers' and Fathers' Day. Hop on board for the Randall's once-weekly class, and for $6 and two weeks to have your work fired and glazed, you'll have all the materials you need.More
December is almost over - the New Year is coming up and everyone is busy drying off from the rain or holiday shopping. Let's take a look at what's happened this month.
You can enter many an "Irish pub" in San Francisco with an ample Guinness flow and trad music on the PA that is about as Irish as a bowl of Lucky Charms floating in green beer.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"
The Ninth Circuit Court of Appeals ruled today that SF Weekly's parent company, Village Voice Media, can sue the notorious Maricopa County Sheriff Joe Arpaio. Our sister paper, the Phoenix New Times, published the following story after the court made…
Photo by Victor GonzalezOur sister paper, the Miami New Times, descended on the Republican National Convention this week to see what things the country's right-wingers were doing and wearing. And thank God they did because now we can regale you…
Chris VictorioBy Christopher Victorio and Ben Westhoff We love you, Electric Daisy Carnival Las Vegas. In fact, here are five reasons why you rule the roost. But my oh my you dance funky. We're not saying we're any better; truth…
Clergy across the nation took out an ad in the New York Times, calling on Village Voice Media company, which owns SF Weekly, to shut down the adult section of its Backpage.com website. They have also launched a petition in…
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"
