When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, it’s a good core workout. If you’re sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
Many of us remember coming home from our elementary schools with freshly glazed pinchpots, cups, or whatever else our young imaginations could conjure up. Saturday mornings at the Randall Museum can bring that memory back, or create a new one for the youngsters. Ceramics make great gifts — especially on Mothers' and Fathers' Day. Hop on board for the Randall's once-weekly class, and for $6 and two weeks to have your work fired and glazed, you'll have all the materials you need.More
December is almost over - the New Year is coming up and everyone is busy drying off from the rain or holiday shopping. Let's take a look at what's happened this month.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"
The menace in Idris Goodwin's Blackademics, a West Coast premiere by Crowded Fire Theater, begins even before the play starts. Mikiko Uesugi's set design is a slate- and medium-wood-colored box that's eerily empty but for an assortment of wooden cutting…
Bay Area theater suffers from gender disparity at every level of the game: whose scripts get produced and which kinds of stories get told, which actors get union contracts, who gets promoted to leadership positions — and who gets to…
When it comes to playing King Lear, renowned actor Geoff Hoyle isn't exactly straight out of central casting, as he freely admits. "I know no one's going to cast me," he says. "I'm this diminutive 5'6", 130-pound guy" — not…
American Conservatory Theater, San Francisco's flagship theater company, isn't exactly known as a purveyor of risky new plays. When it's not doing its annual A Christmas Carol or socially retrograde duds like Napoli!, it's producing myths and Brits. The company's…
It's hard to know how to read the theater ensemble putting on a play-within-a-play — or, as it would insist, a "presentation"-within-a-play — in Just Theater's complicatedly named We Are Proud to Present a Presentation About the Herero of Namibia,…
Sophocles's Antigone, one of the first and greatest Western tragedies ever written, is often thought of as a grand clash of moral imperatives. The daughter of Oedipus — yes, that Oedipus — defies the law of man (specifically, her uncle,…
At the end of The Cable Car Nymphomaniac, a world premiere and the inaugural production of FOGG Theatre, and Late: A Cowboy Song, which was written in 2003 and is now playing at Custom Made Theatre Company, you might feel…
It's not hard to understand why Ragged Wing Ensemble chose "Homing" as its 2015 season theme. After almost 10 years of nomadism, the company opened its own space, the Flight Deck, last June in a former warehouse two blocks from…
Mighty Real: A Fabulous Sylvester Musical Fans of the Cockettes, San Francisco's gender-twisting drag group from the '70s, have long rejoiced in the Thrillpeddlers, who've resuscitated shows such as Hot Greeks and Pearls Over Shanghai. Mighty Real: A Fabulous Sylvester…
As director Susannah Martin points out in the program for Shotgun Players' production of Our Town, many theatergoers dismiss Thornton Wilder's Pulitzer Prize-winning 1938 drama as "a quaint piece of sentimental claptrap." Even when it's not getting butchered by high…
The truest moment in The Complete History of Comedy (abridged) isn't when the three performers kick one another in the balls (or, as they might prefer to call them, "nards"), tell dead baby jokes, or make convincing parallels between the…
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"
