When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, it’s a good core workout. If you’re sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
Many of us remember coming home from our elementary schools with freshly glazed pinchpots, cups, or whatever else our young imaginations could conjure up. Saturday mornings at the Randall Museum can bring that memory back, or create a new one for the youngsters. Ceramics make great gifts — especially on Mothers' and Fathers' Day. Hop on board for the Randall's once-weekly class, and for $6 and two weeks to have your work fired and glazed, you'll have all the materials you need.More
December is almost over - the New Year is coming up and everyone is busy drying off from the rain or holiday shopping. Let's take a look at what's happened this month.
Nob Hill Theatre, the all-genders-welcome male strip club, is holding it down on Bush Street, and after several decades of D, it's still S.F.'s only place to see full-frontal guys up close, seven nights a week (for $20).
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"
Finally, there’s a vampire movie worthy of the title The Hunger—even if it arrives under a more potable name. Carnal appetite, not a parched palate, is the accelerant that fuels this perverse, prankish, and merrily anti-clerical exercise in bloodletting from…
Finally, there's a vampire movie worthy of the title The Hunger — even if it arrives under the more potable name Thirst. Carnal appetite, not a parched palate, is the accelerant that fuels this perverse, prankish, and merrily anti-clerical exercise…
Want to know how a city works? Start by watching 1974's The Taking of Pelham One Two Three, a primer in which subway hijackers test how long it'll take a million bucks to pass through Gotham's plumbing. Turns out an…
What Fletch was to plaid-checked water-cooler wits in the '80s, what National Lampoon's Van Wilder was to college-bound douches at the dawn of Dubya, that's what 2003's Old School is to Gen-X frat rats — a secret-handshake movie. A shaggy,…
In interviews, Charlie Kaufman has floated the idea of building a scale-model Las Vegas in Las Vegas—which would entail building a scale-model scale-model Las Vegas, and within it a . . . well, you get the picture. That’s probably the…
Possessed of a lugubrious, histrionic baritone that could make the most trifling of pop ditties sound like a slow dance on the brink of apocalypse, Scott Walker may be the unlikeliest figure to maintain any presence on oldies radio, thanks…
Michael Jacobs, a filmmaker based in San Francisco, is the director of a movie called Audience of One. It's a documentary about a Pentecostal minister who says he's gotten the divine green light to make a megabudget, religious science-fiction epic.…
Is it a sign of the apocalypse? Something in the water? Or is it just the way the wind is blowing? Whatever the case, when our often-contentious quintet of film critics put their heads together about the best movies of…
Less a mindfuck on the level of 2004’s ingenious Primer than a sort of mental canoodle, this modestly diverting slice of shoestring Spanish sci-fi from writer/director/co-star Nacho Vigalondo proves yet again that time travel is an ambitious low-budget filmmaker’s jumbo…
For the length of Kent MacKenzie's rediscovered 1961 feature, the past is not distant: It's vital, concrete, immediate—a record of vanished sites and vanquished dreams suspended in an eternally looped present. An account of 14 dusk-to-dawn hours in a community…
By following Scott and Kimberly Roberts, a couple from New Orleans' stricken Ninth Ward, through Hurricane Katrina and its aftermath, directors Carl Deal and Tia Lessin create an eyewitness epic of history in miniature. Trouble the Water’s first and most…
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"
