When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, it’s a good core workout. If you’re sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
Many of us remember coming home from our elementary schools with freshly glazed pinchpots, cups, or whatever else our young imaginations could conjure up. Saturday mornings at the Randall Museum can bring that memory back, or create a new one for the youngsters. Ceramics make great gifts — especially on Mothers' and Fathers' Day. Hop on board for the Randall's once-weekly class, and for $6 and two weeks to have your work fired and glazed, you'll have all the materials you need.More
December is almost over - the New Year is coming up and everyone is busy drying off from the rain or holiday shopping. Let's take a look at what's happened this month.
"Hard work pays off" is the watchword for Hunters Point native Raquel Miller, who twice came within a single decision of qualifying to fight for the United States at the Olympics.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"
In hindsight, the idea that people once considered Fischerspooner an electroclash act is laughable. The NYC duo of Warren Fischer and Casey Spooner has always been a synth-pop band with a penchant for flamboyant glam and performance art — even…
R.E.M.'s fourteenth studio album, Accelerate, lives up to its speedy title. It's loud, quick, and dirty, spinning by so fast that it takes multiple listens to absorb. It's full of buzzing guitars and stream-of-consciousness discontent, along with an abundance of…
The earliest albums released by the Magnetic Fields (particularly 1995's Get Lost) featured burbling synth-pop in the vein of OMD and Soft Cell, long before such new-wave influences were prevalent or trendy. Perhaps that's why Distortion, the eighth Magnetic Fields…
Morrissey has turned from a gangly egghead into a debonair crooner without losing his self-deprecating wit: At his birthday show in May, the suit-clad singer gestured to himself and dryly said, "Let this be a warning — this is what…
Sometimes the simplest music is the most affecting. So it goes with PJ Harvey's new studio album, White Chalk, which often feels like a sequel to Björk's Vespertine. Absent are the scorched-earth guitars and feral vocals for which the songwriter…
A friend once described the National as the ideal band to spin when you're alone and wallowing in misery. It's a fair assessment: Matt Berninger's deep drawl and the band's velvety piano-folk are decidedly intimate. But with the recent release…
Hold Steady frontman Craig Finn describes his band's brand of verbose, guitar-driven splendor as "classic rock with a small ‘c'." It's apt shorthand for the hedonistic-but-literate sprawl that is a Hold Steady show, a glorious shot of euphoria that should…
While her flamboyant outfits might never be polite, Björk's last few albums certainly were. The ice-crystal percussion and melodies on Vespertine were stunning but mannered, like an immaculately decorated parlor. The nearly a cappella Medulla — an album where beatboxing…
Ex-Smiths guitarist Johnny Marr knows a little something about dealing with strong-willed vocalists (ahem, Morrissey), so it's no surprise that his contributions to the poppiest Modest Mouse record yet are solid. But it's still a treat to hear how focused…
In case you haven't been paying attention, we're here to remind you that it's that time again. As December gets tossed away like so many holiday cocktail napkins, we critics are busy making our ultra-scientific, down-to-the-last-decibel-point-ratings, you-know-you-just-loved-the-new-Hold Steady-record lists for…
by Olivia Flores Alvarez, Eric K. Arnold, Jason Budjinski, Niki D'Andrea, Dave Herrera, Dan Leroy, John Nova Lomax, Jennifer Maerz, Jean-Babtiste Mondino, Chris Neal, Saby Reyes-Kulkarni, Dave Segal, Annie Zaleski, and Chris Ziegler
December 20, 2006Tags: Music, Feature, 24 (TV Show), United Kingdom, Jace Everett, Sub Pop Ltd.
In 2004, the line between indie and mainstream rock disintegrated even faster than Britney Spears's quickie Vegas marriage. Vinyl obsessives mingled with white-hat-wearing fratheads at Modest Mouse shows, Taking Back Sunday debuted at No. 3 on the Billboard charts, and…
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"
