When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
City's Budget Analyst Harvey Rose released "part one" of a performance audit of Muni today. And, guess what? Muni drivers' self-serving work rules cost the city millions. The agency is drowning in overtime, accounting for just under half of the entire city's total. And the board that supposedly runs Muni is asleep at the wheel.
The audit didn't touch on that unidentified liquid coating the floor of the 38 Geary or your 19-minute wait for a J-Church; perhaps that'll be in the forthcoming part two. But it provided analytical backup for just about every other popular gripe about Muni mismanagement, many of which were touched in SF Weekly's recent cover story, "The Muni Death Spiral."
We've now pored through the 22-page executive summary and talked on and off the record with the supes. And here's your takeaway:
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Just like this N-Judah, the budget analyst's audit was packed
The progressive supes seem all but certain to target the Municipal Transportation Agency Board via a charter amendment, which must be submitted by next week to appear on November's ballot. Bet heavily that the supes will attempt to wrest some appointments on Muni's overseeing body away from Mayor Gavin Newsom, who currently names all seven members of the MTA Board. "The MTA board is essentially a staff-driven, rubber-stamping authority," Mirkarimi told the press. It produces "A staff-driven dictation ... Most of these dictations go unchallenged, especially on the financial side." Campos later played up the split-board nature of the Police and Planning Commissions. So, again, bet heavily.
Muni drivers earn a total equal to 20 percent of their salaries in overtime in the most recent budget. These overtime hours are so high largely because union work rules prevent Muni from hiring part-time drivers. Muni drivers' ratio of hours paid to hours worked -- essentially a measure of institutional reliance upon overtime -- is worse than four other comparable transit agencies (Washington, D.C.; Seattle; Atlanta; Chicago). All of the others hire part-time drivers to ease the rush hour burden.
The budget analyst identified six Muni divisions in which drivers are spending more time on "standby" -- that is, sitting around and waiting for an assignment -- than actually driving.
Seven drivers work 100 percent of the time on TWU union activities and earn a total of $608,000 every year. Putting six of those drivers back behind the wheel would save half a million dollars a year.
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Muni does not track scheduled and unscheduled overtime separately -- making it difficult to notice swells in unscheduled OT in a timely fashion. What's more, Muni does not make regular reports about its rampant absenteeism and overtime -- and, remember, this is the agency accounting for virtually half the city's OT -- to its board of directors. Just one agenda item regarding overtime appears on the MTA Board's meeting minutes over the past two years. That item, however, was removed from the agenda prior to the meeting.
In one of the most ill-conceived of Muni's many troublesome work rules, drivers may begin earning overtime by combining actual work hours with paid sick leave -- meaning an operator can work for time-and-a-half on his regular day off after taking a sick day or staying home via some other approved leave the day before.
The MTA Board, which supposedly governs the agency, has never adopted a "formal written statement on governance principles." It does not have regular discussions to monitor the policies it has proposed be adopted and enacted. It does not "discuss the financial statement and related financial issues in Board meetings, although the SFMTA Board oversees the annual SFMTA operating budget of $768.6 million." It does not have an audit committee to track the transit agency's finances (nine other agencies surveyed by the budget analyst had such committees).
The budget analyst identified $3 million in off-the-bat savings: $1.2 million in eliminating "standby" pay for drivers twiddling their thumbs; $500,000 for putting full-time union reps back behind the wheel; and $1.4 million in reduced unscheduled overtime. Mirkarimi thought those numbers were conservative and could go much higher.
While it seems apparent the progressive supes will push a charter amendment allowing them some say in staffing the MTA Board, it remains unclear how they'll handle Muni's ongoing labor problem. Making matters murkier, one supe told SF Weekly, is that the TWU is going through an internecine leadership struggle, with union boss Irwin Lum struggling to hold onto his spot.
Joe Eskenazi was born in San Francisco, raised in the Bay Area, and attended U.C. Berkeley. He never left.
"Your humble narrator" was a staff writer and columnist for SF Weekly from 2007 to 2015.
He resides in the Excelsior with his wife, 4.3 miles from his birthplace and 5,474 from hers.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"