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Thursday, March 27, 2014

The Top Five Parties in San Francisco This Weekend

Posted By on Thu, Mar 27, 2014 at 9:18 AM

click to enlarge Christopher Willits (pictured), Snuise, and Manitous play at Public Works on Sunday.
  • Christopher Willits (pictured), Snuise, and Manitous play at Public Works on Sunday.
It's officially that time again. What time? Party time. This weekend, like most in San Francisco these days, is packed to the brim with fun events. So, to better assist you in your search for good times, we've assembled our top selections for this weekend's festivities. We've got real surround sound, a few old U.K. rave favorites, and even a party that's nostalgic for the electroclash days. Read on -- your weekend awaits.

SUNIGHT with Christopher Willits, Snuise, and Manitous at Public Works

7 p.m. Sunday, March 30. $7

It all started with Fantasia. Walt Disney's theatrical epic was the first popular application of surround sound in a motion picture. The technology boomed in the '70s, as blockbusters like Apocalypse Now, Superman, and Star Wars called for ever more spectacular forms of entertainment. In the years since, surround sound has become synonymous with the movie theater experience: Moreso than 3D glasses, it's the subtle element that generates a feeling of true immersion.

But for all its ubiquity, surround sound never made the jump out of the cinema. Other immersive sonic environments, like nightclubs, have long been living in the stereophonic (or, more commonly, monophonic) past. That, however, might be changing, as a local outfit called Overlap is working to bring the surround sound experience

to music.

"Growing up, we lived with the promise of surround sound, but it didn't go anywhere. You might hear a buzz behind your head in a movie and think, 'cool,' but it was always out of reach. Now immersive audio technology is there for artists to use, and the potential for composition is enormous," says Christopher Willits, an experimental producer affiliated with the group. "The software we've designed allows any song to be manipulated in Ableton Live [a popular computer music production software] -- we can send sounds to each speaker. So, rhythmically speaking, I can make my patterns move around or cause ambient guitar washes to swirl through the room." In a loose sense, it's the sonic equivalent to the difference between 3-D movies and standard 2-D television.

The Overlap sound system is based around the idea of Ambisonics, a style of surround sound developed in the '70s. "Ambisonics is a term -- an approach to immersive audio that can play sounds above you. But, the cool thing is, it's portable, easy to set up, and scalable," he says. "The way the system works, you can get the same placement of sound with different amounts and configurations of speakers." The portability of it is an appealing quality; it's why it can be set up at venues temporarily.

For now, the system isn't being applied to dance music proper, but instead more ambient sounds. This Sunday, Overlap is teaming up with Public Works for Sunight, an evening party that runs from 7 p.m. to midnight and features the Ambisonic sound system as well as a bevy of downtempo-leaning performances from Snuise, Manitous, and Christopher Willits. It may seem an esoteric suggestion, but the party offers a rare chance to experience dimensions of music previously left unexplored. And who knows? It just might be the future of club sound.

Paradigm with Sukh Knight and Squarewave at F8

10 p.m. Thursday, March 27. $10

There's more to dubstep than just wobbles and drops. Paradigm is a monthly Thursday party dedicated to the exploration of dubstep in its original, U.K.-created form. This month welcomes Sukh Knight and Squarewave, two British DJs who make tracks that shuffle and skitter through claustrophobic atmospheres made sinister by a heavy, low-frequency bass rumble.

Public Works and FACE present DJ Harvey at Public Works

9:30 p.m. Friday, March 28. $13

He's sarcastic, he's legendary, he's a master DJ with few equals -- he's DJ Harvey. The L.A.-by-way-of-U.K. DJ has long commanded a cult following, but recently he's been garnering more widespread attention. It's well-deserved: His long, eclectic sets of disco obscurities, technoid bangers, and vocal house anthems represent the highest tier of DJing as art.

Last Nite: 2000's Indie Dance Party at The Night Light

10 p.m. Friday, March 28. $5-$10

Club Neon at Hush Hush Lounge, Club ID at Rickshaw Stop, Popscene at 330 Ritch, Frisco Disco at Arrow Bar. If you remember these early-'00s scenester hangouts, congratulations: You're old. Get nostalgic at Last Nite, a retro '00s party that features a soundtrack balanced between dance punk and electroclash favorites. This month's edition features an LCD Soundsystem cover band called North American Scum. Don't forget to wear your white belt.

House Warming and Mighty Real present Joey Negro at Mighty

10 p.m. Saturday, March 29. $10-$20

Though born in the U.K., Joey Negro has always seemed like a New Yorker at heart. His discography, which nearly spans 30 years, is full of NYC-style house anthems (like "Do It, Believe It" and Phase II's "Reachin'") and smart interpretations of underground disco classics. As a DJ he's energetically old-school; his sets offer an idealized vision of Manhattan's bygone wild side. For house heads, this one's a no-brainer.

-- @derekopperman

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Derek Opperman


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