When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Nob Hill Theatre, the all-genders-welcome male strip club, is holding it down on Bush Street, and after several decades of D, it's still S.F.'s only place to see full-frontal guys up close, seven nights a week (for $20).
Once famous throughout the league as a haven for misfits and rejects looking to resurrect their careers, the Raiders have for the last decade or more made an art from out of epically wrong personnel decisions.
You may have heard over the last few days that Berkeley's Lookout! Records -- one of the world's most treasured punk rock labels, and the place that Green Day got its start -- is closing for good, back catalog and all. If you were a punk rocker in the '90s, this news feels a little bit like losing an old treasured friend -- possibly an old, treasured friend you've not really hung out with much lately, but one who'll always have a special place in your heart nonetheless. To mourn the end of this hugely important label, we wanted to pay tribute with a selection of our favorite Lookout! Records songs (in no particular order).
"I Wanna Be A Homosexual," Screeching Weasel
We're pretty sure this is one of the greatest punk rock songs ever written. This snotty, melodic slice of absurdist aggression called out every closet homophobe in the scene ("Why don't you admit you don't have the balls to be a queer?"), laughed at them, then loudly declared punk rock a gay-friendly zone. Screeching Weasel didn't just say homosexuality was to be accepted, they said it was to be aspired to -- and they put a smile on everyone's faces while they were at it. Absolutely brilliant.
"Eating Toothpaste," Bratmobile
By Christ, we miss riot grrrl.
"Unity," Operation Ivy
It's hard to remember sometimes that ska-punk was genuinely fucking cool at one point. And the genre owed a lot of its early street cred to Op Ivy -- the first band to shine a light on the talents of the always charismatic Tim Armstrong. His current band, Rancid, still covers this track in their live sets, and Green Day covers Op Ivy's other most-remembered song, "Knowledge," in theirs. Literally, a classic.
Sloppy as all get out, but beloved by a multitude, Aaron Cometbus played drums in this band when he wasn't handwriting tales of punk rock woe in his now-renowned fanzine. Gutter punks love this stuff. "Punk Rock Girls," The Queers
We know it's stupid and flippant, but if "Punk Rock Girls" doesn't make you want to dance like an eight-year-old at a birthday party who's high on cake, there's something wrong with you. It's just so... cute!
"Scuffle Town," Avail
Witnessing this raucous ode to Avail's Richmond, Virginia hometown, live, is one of the most joyful experiences a gig-goer can ever have. Didn't matter where, didn't matter how many people were watching, Avail kicked ass live in a manner that is fondly remembered all over the world -- and they always kicked it up an extra notch for "Scuffle Town." Sure, you came out of it with two black eyes and and a broken wrist, but you didn't care because you just saw magic happen. We miss you, Avail. Very, very much.
"Do You Wanna Hit It?" The Donnas
Once they quit going on and on endlessly about the fact that they were teenage girls, The Donnas got really eff'n likeable. All solid riffs and unshakeable sass and we-can-play-just-as-good-as-the-boys attitude (and they sure could). Thanks for bringing them to us, Lookout!.
Ted Leo & The Pharmacists
It's unlike anything else Lookout! Records ever put out, but gosh darn it, The Tyranny Of Distance is gorgeous.
"Isolation Burns," Spitboy
Articulators of female struggle, hatred of patriarchy, and the ongoing fight for equality, Spitboy were a fucking godsend for alternative women everywhere and absolutely terrifying for almost everyone else. Thanks for never sugar-coating anything, ladies. We love you.
"2000 Light Years Away," Green Day
Imagine for a moment what might have happened had Lookout! Records not released the first two Green Day records. What if no one else had signed them? What if they hadn't been picked up by a major to release Dookie? What if Green Day was removed from the last eighteen years in music? What if American Idiot had never happened? *Shudder*. Doesn't bear thinking about, but the musical landscape (especially the punk one) would look very different indeed. Thank you Lookout!.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"