From SF Weekly's latest print music section:
The Cuban Cowboys: "Jorge Navarro navigates the contradictions of the code of machismo taught by his knife-wielding grandfather. Navarro's songs portray his family's memories of a mythical Cuba born out of the nostalgia of exile and his experiences as a first-generation Cuban American, immersed in American pop culture and drawn to cowboy boots and rock 'n' roll. These two themes establish the narrative poles for the songs on Diablo Mambo, and Navarro skillfully navigates this bi-cultural territory, spinning tales of romance, sex, politics, and family. The music plays an essential role in the effectiveness of the stories, weaving together various tributaries from the two main musical streams -- classic rock, punk rock, doo-wop, post-punk, rockabilly, and son, mambo, calypso, and salsa."