When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
If you're like us, and you appreciate the slap-happy singles style of Tony Gwynn to the deep-ball threat of Barry Bonds, then the shuffleboard table at Fly Bar on Larkin and Sutter is definitely your speed.
Slight, indifferently shot, and entirely lacking in ballast, Harmony and Me's sole justification for being is that it's consistently very funny. Harmony (Justin Rice) has a life full of (ha!) discord; obsessing over his ex, Jessica (Kristen Tucker), he floats through a boring tech job, takes piano lessons, and generally screws around in the kind of low-stakes economic free-fall that a college town like Austin, can sustain. Harmony should theoretically be a comedy of awkwardness it has ugly broken marriages, pedophile jokes, and a suicide attempt but, with hilarious dialogue, it's poised at the exact sweet spot where awkward encounters don't make the audience themselves uncomfortable, just amused. Director Bob Byington understands comic editing, cutting scenes to their essence rarely longer than a minute and gets the most out of a sharp cast. His film is continually quotable, from Harmony's query to a friend driving his mom's cracked-windshield minivan "Is that like an ongoing adrenal rush of low self-esteem?" to a morning-after exchange with a deranged neighbor. She: "You got some in my hair." He: "That wasn't unintentional." It's deceptively loose, but always on point like Bottle Rocket, only with no visual style, stakes, tension, or real substance. Nothing wrong with that. Byington appears after both screenings tonight.
Feb. 19-22, 7:15 & 9:15 p.m., 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"