When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The immortal moment came decades ago: a long-suffering fan already, at 8 years old, slumped against a rail at the ballpark for what could be the last time, defeated on the field and off of it, where the Giants were planning to possibly decamp from Candlestick Park to Florida.
JCVD wastes little time working itself into a pretzel. The action begins under the credits with Jean-Claude Van Damme working his way through a crazy urban battlefield accompanied by a Curtis Mayfield blaxploitation ballad. As funny as anything in Tropic Thunder, this exceedingly long take ends with a falling flat (the aging actor having missed his mark) and a tantrum thrown by the movies Chinese director. Van Damme is next seen in family court fighting for custody of his daughter as his wifes attorney enters his DVDs as evidence against him. Suddenly, hes back in his Belgian hometown, where its not long before he finds himself in a Jean-Claude Van Damme situation, held hostage in the local post office. Crowds of fans surge outside while the cops, who have set up a command center in the local video store, think that hes the hostage-taker. JCVD is all about the hassle of being JCVD, but self-parody effectively precludes self-pity. In the most remarkable sequence, this hitherto limited actor launches into a lengthy soliloquy on his reasons for making this movie, explaining why he took up karate and recounting his feelings about celebrity (as well as America, women, and drugs). Its near risible, but who would dare laugh? Jean-Claude is really crying! What exactly is JCVD? Comedy? Confession? Confusion? No one will ever mistake these backstage shenanigans for Irma Vep. But as a self-regarding expression of masculine angst, its a Damme sight more fun than Synecdoche, New York.
Nov. 14-20, 2008
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"