When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Tom Gustafsons queer-centric take on Shakespeares A Midsummer Nights Dream teeters between banal conceptualizing and inspired execution. When high school homo and jock punching bag Timothy (Tanner Cohen) is cast as Puck in his all-boys schools production of Midsummer, he stumbles upon a love potion that causes life to imitate art, creating a queer upheaval in his small town. Beneath a trite imagining of what would happen if raging homophobes suddenly turned gay (most, apparently, would become mincing stereotypes), the film articulates some age-old but still pressing truths about bigotry (Prop. 8, hello), social justice, and romantic longing. Gustafson pulls uniformly wonderful performances from his cast, especially Cohen and Judy McLane as the boys bewildered mom, struggling between her own homophobia and her love for her son. The musical numbers, filled with old-fashioned melodic singing and choreography that wittily references classical Hollywood musicals, put the prefab High School Musical series to shame. When the film narrows its focus from big questions addressed through overly broad strokes and instead zooms in on one-on-one interactions and the emotional power of a well-made musical sequence, it taps into a winning sweetness and poignancy.
Nov. 21-27, 2008
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"