When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Because not everyone can shell out a week's worth of rent on the edible art of a hand-tweezed tasting menu, veteran restaurateur Kash Feng (owner of Michelin-starred Omakase) and consulting chef Shin Aoki (formally of Michelin-starred Kaigetsu) bring you Okane — legit Japanese fare for epicures of the 99 percent.
The protagonist of the Joe Goode Performance Groups latest piece is a puppet. Our first reaction was yikes. How does a dance/theater troupe get at the heart of what it is to be human using a main character who is, well, not human? Then we learned the collaborating puppeteer on this new work, Wonderboy, is none other than Basil Twist, and we thought okay, this just might work. Perhaps the best-known manipulator of marionettes working today, Twist imbues his wooden friends with uncanny emotional realism, pathos, and wit, all hallmarks of Goodes own storytelling sensibility. Manipulated at times invisibly and at times in conjunction with the dancing, Wonderboy tells the story of the title character's superpower: supersensitivity, which renders him both an outsider and a potent healer of broken souls. Tin Hat Trio singer and violinist Carla Kihlstedt and pianist/drummer Matthias Bossi of avant-rockers Sleepytime Gorilla Museum provide musical accompaniment alongside six Joe Goode performers whose voices brim with as much gut-level loveliness as their dancing. Also on the bill are excerpts from Goodes 1996 Maverick Strain, a deconstruction of Arthur Millers screenplay for The Misfits with music by Beth Custer.
June 6-15, 8 p.m., 2008
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"