When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Directed by Spike Jonze from a 400-word childrens book first published in 1963, Where the Wild Things Are may be the toughest adaptation since Tim Burton fashioned Mars Attacks! from a series of bubblegum cards. Elaborating on a classic, Jonze has struggled to bring the book to the screen for even longer than the eight years Maurice Sendak took to finish it. The result isnt labored, so much as well-behaved. Its difficult not to watch the movie as a series of decisions carefully made by Jonze and screenwriter Dave Eggers: Will the unruly protagonist Max remain a pre-literate five or be older? (Older.) Is the projection of his inner world best achieved through animation or puppetry? (Puppetry.) What sort of music will comment on the action? (Insipid indie rock.) But, mainly, how to open up the story? When mom (Catherine Keener) brings a date home, Max (Max Records) dons his wolf suit and chomps down on her shoulder. Youre out of control! she shrieks as the bad boy flees the house, finds a boat, and sails off to discover his fellow Wild Things. He becomes their king and proclaims that the mad, dancing, shouting Wild Rumpus must begin. Whats best about Jonzes movie is its kinetic feel for physical playherky-jerky camera as Max and the WTs zip through the forest. Whats weakest is its blandnessthe psychic environment is less King Kongs Skull Island than Fred Rogerss neighborhood: Where the Wild Things Arent.
Sun., Jan. 24, 2, 4:15, 7:15 & 9:25 p.m.; Mon., Jan. 25, 7:15 & 9:25 p.m.; Tue., Jan. 26, 7:15 & 9:25 p.m., 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"