When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Kevin Kelly notices things. As a teenager, he noticed his voice and his friends voices being drowned out by the loud conversations technology was having with itself. Later, as the Internet emerged, he noticed something unexpectedly organic about these ecosystems of people and wires. At some point he noticed that the chainsaw had given him a new appreciation of wood. Since then, he has channeled his perceptions and examinations thereof into projects ranging from the creation of Wired magazine to, most recently, the writing of his new book What Technology Wants. By now he has come to regard technology as an evolution-accelerating seventh kingdom of life, with its own distinct imperatives. So is that terrifying, or fantastic? Certainly its good to have Kelly on hand tonight to field a few questions. Ask him to explain such concepts as exotropy, ordained becoming, and the Amishness of the Internet. Ask him whether smartphones ever will become wise phones, and whether well all be too distracted by futzing with them to notice when the aliens finally do begin transmitting Wikipedia revisions from 10,000 light-years away. Surely he will notice.
Tue., Nov. 16, 7:30 p.m., 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"