When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The Tenderloin was set to lose another irreplaceable when the Ha-Ra Club — a low-ceilinged dive of the slummiest reputation, long fallen into neglect, but nevertheless beloved for strong pours, idiosyncratic bartenders, and a long history — was taken over by the crew who run Ace's and Dobbs Ferry.
San Francisco Film Society held their Film Society Awards Night at Bimbo's on Tuesday, May 7th. Harrison Ford was in attendance accepting the 2013 Peter J. Owens Award. Photographs by Josh Edelson for SF Weekly.
W.E. is the second feature film credited to former MTV queen Madonna and the second film in about a year — after The King's Speech — to dramatize the empire-imperiling affair between King Edward (James D'Arcy) and American divorcee Wallis Simpson (Andrea Riseborough), a woman who couldn't be queen. The movie was lambasted by critics at the fall festivals, with many citing a late-inning scene in which a Benzedrine-addled, circa-'30s Simpson dirty dances to "Pretty Vacant" by the Sex Pistols as particularly indicative of its maker's cluelessness. But Madonna's anachronistic use of music is the least of her movie's problems. It's basic storytelling that stymies her. In telling of the Simpson affair through the blatantly whacked lens of Wally (Abbie Cornish), an unhappy trophy wife in late-'90s Manhattan who becomes obsessed with the "fairy tale" romance of Wallis and Edward when the couple's effects are auctioned by Sotheby's, Madonna borrows heavily from the music-video form she has already mastered: aesthetics-first, with an anything-is-possible anti-logic. There is a kernel of a fascinating film here about the dangers of coveting luxuries (particularly someone else's) and of imbuing beautiful things with imagined life. But as Wally's story goes on (and on, and on . . .), the film falls increasingly deeper into the fetishization it takes as its subject, repeatedly imbuing clothes and jewelry with heavy symbolism, forgetting any impulse to critique. Still, a shot of a pearl necklace falling off a woman as her husband is beating her is too dumb to really gall.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"