When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Billed as a collective feature film, New York, I Love You is the second in the Cities of Love series, an idea that has so far proved better in theory than execution. As with its predecessor, Paris je taime, there are hits and misses. Producer Emmanuel Benbihy decreed that each of the 11 segments be set in a specific neighborhood, but only a few manage to capture the spirit of their surroundings. The duds, like Jiang Wens pickpocket three-way with Hayden Christensen, Andy Garcia, and Rachel Bilson, and Mira Nairs corny collision between Natalie Portman and Irrfan Khan, have a canned, flattened quality that drags the collective down. Orlando Bloom has some fun with the lonely freelance life, greasing up to play a composer-for-hire with an impossible client, and Ethan Hawke and Maggie Q reimagine the dynamic of the street-corner pick-up. But the most effective entries, by Allen Hughes (Bradley Cooper and Drea de Matteo navigate their found chemistry), Fatih Akin (Ugur Yücel and Shu Qi reach out, but cant quite connect), and Joshua Marston (Eli Wallach and Cloris Leachman shuffle off to Coney Island), bring both bitter and sweet to their snapshots of the citys most cherished and elusive quality: intimacy.
Oct. 16-22, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"