When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The Swell Season is a tour doc — shot in moody, close-up-heavy black-and-white — that traces a few years on the road with Glen Hansard and Markéta Irglová, real-life musical collaborators in the band The Swell Season who starred in the 2007 Irish indie musical hit Once, won an Oscar for writing its music, fell in love while making the film, and broke up while touring America in its aftermath. Once's unlikely success and the ensuing May-December relationship between Irglová (who was 17 when the film was shot) and world-weary, fortyish Hansard created the marketable myth of a creative partnership leading to true love, which made an apparently never-ending American tour possible. The Swell Season documents that myth's undoing — a dissolution that almost necessarily remains hidden from the fans drawn to the band's shows by Hansard and Irglová's rags-to-riches-plus-romance fairy tale. (An autograph hound gushes, "I hope you guys make it to the end of time!") Exceedingly nonlinear, the film is a jumble of fragments — performances, vérité footage backstage, a few contextualizing interviews — each offering real-world evidence to puncture a fan's fantasy version of Hansard and Irglová as lovers meant to beat the odds. For those fans, The Swell Season might seem like a bittersweet revelation, proof that these stars are, in the sheer banality of their everyday angst, just like us. (Although their ability to continue the professional relationship after the romance ends seems superhuman.) To viewers without an existing knowledge of the couple and their saga, that everyday angst could seem just banal.
Nov. 25-Dec. 1, 2011
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"