When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
A fascinating, deftly layered look at the complex intersections of art and charity, reality and perception, Waste Land follows celebrated New York artist Vik Muniz back to his native Brazil, where he'll work with outer Rio garbage-pickers on an ambitious art project. Ostensibly called to "give back" to the impoverished region from whence he came -- after the magnanimous collaboration, the plan is to auction off the art as a fundraiser -- Muniz finds that the individual lives he encounters are far more complex than the morbid hordes he'd expected. These "catadores" aren't faceless bottom-feeders but proud laborers who've chosen the dirty job of hand-recycling over drug-trafficking and prostitution. Fast becoming one of today's most adventurous and empathetic documentarians, director Lucy Walker (Countdown to Zero, Blindsight) wisely keeps the film several paces removed from Muniz, whether to capture footage that falls beyond the artist's scope or to subtly critique both the art- and filmmaking processes. From a studio in New York, Muniz and Walker plot a story, and then at massive landfill Jardim Gramacho, we see how they select characters to represent it. It's to their credit that the story adapts to these fiercely human characters, and that Muniz honestly contemplates his irresolvable, Slumdog Millionairelike quandary of intervention. The resultant art and film are uncommonly moving, but Walker keeps an eye on the messy pile of life that looms beyond the frame.
Starts: Nov. 19. Daily, 2010
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"