When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The sinews of old San Francisco lie in the water: the posts standing in the Bay mud that supported the docks and piers where the shipping that made the city possible, and later allowed it to flourish, flowed.
There couldn't possibly be a better band than Tinariwen playing at Coachella. The upcoming music festival's 100-degree heat? No problem for a group of nomads who grew up in the Sahara surviving brutal conditions, crushing droughts, and widespread starvation. How about the fest's famously hostile security guards? Big whoop for musicians who underwent General Gadhafi's army indoctrinations in Libya. And what of all those drug-addled technophiles, sneering hipsters, and flailing goths at Coachella? Tinariwens members fought the vicious Malian army during the Tuareg revolution. Nowadays, when the worst trauma the septet must endure is a review on Pitchfork its third album, 2007's Aman Iman, scored an 8.1 playing Coachella is a walk in the park, er, desert. Although the group's producer (and Robert Plant's guitarist) Justin Adams said he heard the Velvet Underground, Sonic Youth, and Howlin' Wolf in Tinariwen's playing, the ensemble sounds thoroughly Saharan vast and epic, gorgeously mournful, a delicate, evocative mix of serpentine guitar, chittering percussion, and soaring vocals. Trying out new material from its recently recorded fourth disc, the group arrives in S.F. for a pre-Coachella performance for SFJAZZ Spring Season.
Thu., April 16, 8 p.m., 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"