When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
So you went out last Saturday night and wore those new dark-wash, skinny leg jeans that you just bought despite the fact that it's the end of the month and you should be saving that money for your rent check.
Nothing caps off a nice day at the beach like a mouthful of sand — especially if the grit in your teeth is the reward for the grit required to splay flat-out on your stomach, for the prize of a plastic disc in your hand, and all the glory that comes along with it.
Remember Giuseppe Tornatore, who made the overrated but harmlessly cute Cinema Paradiso, about the grumpy projectionist who made him the fabulous filmmaker he is today? Meet the filmmaker that he is today: sadomasochistic fantasist, exploiter of women, and cheesy Hitchcock imitator. It doesnï¿½t help that The Unknown Woman, which traffics (I use the term in its precise sense) in hot-button topics like forced prostitution and baby-making for profit, comes sanctimoniously wrapped in a twisted tale of feminist revenge. Or that the lead actress, Russian film and television star Xenia Rappoport, is terrific as a Ukrainian ex-hooker who insinuates herself into an Italian family and gradually reveals herself as the housekeeper from hell. Pretentiously framed as a woo-woo thriller complete with aerial shots of desperate deeds on spiral staircases and the requisite surreal circus scene, The Unknown Woman is liberally sprinkled with soft-core bondage sequences and dappled with sun-lit flashbacks to happier-hooker days. Extravagantly vulgar psychology about evil rebounding to haunt both victim and oppressor offers still more opportunities for scenes of torture, this time with a defenseless little girl in the victim seat. Tornatore has the unspeakable nerve to present this as character building, which leaves us to wonder not only what the parents of child actress Clara Dossena were thinking, but how this repellent piece of garbage managed to win no less than five Italian Oscars.
July 25-31, 2008
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"