When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The direct appeals of his melodramatic groundswells have long made Oscar-nominated Iranian director Majid Majidi a dismissed old-school counterpart to Abbas Kiarostami and Jafar Panahi. His latest film observes ostrich-wrangling father Karim (Reza Naji) struggling to remain the man of the house as he weathers a series of bad breaks. Theres an element of silent comedy not just in the mild humor or Karims tapir-nosed grimaces, but in the simple (not simplistic) sentiment of the scenarios: the pursuit of an escaped bird across barren hills, the businessman in cluttered Tehran who plops on his motorbike and instantly turns into a cabbie. Beleaguered Karim, fond but suspicious of his kids, shifts between overreacting and lugging stuff like a pack animal, as the city opens up new opportunities for profit and ethical quandaries. But his perspective begins to feel a bit confined in Najis hands, and its a shock when Karim busts out a ditty about the world being a lie and a dream, after his young sons crew endures a setback to their get-rich-quick-through-goldfish scheme. The film is pleasingly meandering, till the more typically Majidian soulful and teary-eyed climaxfor better or worse, nothing on the level of the once-blind professors operatic reckoning in previous release Weeping Willow.
June 12-18, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"