What a great subject for a documentary. Jovial, passionate, and stunningly knowledgeable, Zinn carries Howard Zinn: You Can't Be Neutral on a Moving Train with effortless grace. Co-directors Denis Mueller and Deb Ellis wisely step out of Zinn's way, allowing him to tell his life story through interviews and through his books, quotes from which are read by narrator Matt Damon. The directors also interview Zinn's friends and associates, luminaries such as Alice Walker, Marion Wright Edelman, Noam Chomsky, and Daniel Berrigan. Zinn is well-loved, and it's easy to see why. His belief in justice and hope for change are simply infectious.
Zinn began life in Brooklyn, with few advantages. His parents were poorly educated, and though his mother was intelligent, the tenements the family occupied contained no books. Zinn scavenged Tarzan novels on the street; later, his parents used coupons to get him a full set of Dickens. It was an auspicious selection. Through Dickens, Zinn learned that poverty was neither uniquely contemporary nor uniquely American. He understood that other boys had suffered from the same disadvantages in other countries and at other times. This connection -- this early sense of community -- would have a lasting effect on Zinn's worldview.
As a young man, Zinn worked in a shipyard; he attended his first demonstration, by Communists, at 17. When World War II hit, Zinn could have remained in the shipyards, building military vessels, but he volunteered for the Air Force instead. "I was a politically aware young person," he says. "I wanted to fight against fascism." Zinn flew fighters and dropped bombs on European cities -- in Germany, Italy, and even a small town in France, where, his superiors assured him, German soldiers were stationed. Later, Zinn learned that he had dropped napalm and that several thousand people had been killed, including French civilians. He began to question " the total goodness of that war."
Back in America, Zinn returned to the working class, living in low-income housing projects with his wife, Roslyn, and their young children. He put himself through college and graduate school, studying history while working full time. It was in graduate school that Zinn began to see the gaping holes in his textbooks, the total absence of entire points of view -- those of Native Americans, African-Americans, laborers, and women, among others. He heard accounts of coal miners' strikes in the folk songs of Woody Guthrie but couldn't find the stories anywhere in print. To Zinn, these lacunas were grave problems in need of remedy.
As a professor at Spelman, the African-American college in Atlanta, Zinn was vital to the burgeoning civil rights movement. Unlike other professors, Zinn encouraged his students to march, accompanied them at demonstrations, and taught them the history that supported their cause. "He captured the essence of the revolutionary spirit," says Alice Walker, a former student. Marion Wright Edelman concurs: "His capacity for moral outrage ... fed my spirit. Having [him] affirm [my] own instincts was extremely important for me as a young black girl growing up in the South ... who had a deep yearning to be free."
At Boston University in the '60s, Zinn served as a backbone of the peace movement and began to write the books that filled the gaps he had discovered, including Vietnam: The Logic of Withdrawal. As a teacher, he was adored and revered; his lively classes drew 400 students every semester. In 1980, Zinn published the book that secured his fame, The People's History of the United States, in which he examines the entire history of America (beginning in 1492) from the point of view of the previously disregarded. Now in its fifth printing, the book has sold over a million copies; at this writing, its sales rank on Amazon.com is 146, with 408 customer reviews.
In a time of war, polarization, and dark foreboding, the eminently quotable, unfailingly hopeful Zinn is a welcome antidote to many of the doomsday prophesiers of the American left. In a moving speech toward the end of the film, he says of his view of history: "I'm supposing, or perhaps only hoping, that our future may be found in the past's fugitive moments of compassion rather than in the solid centuries of warfare." Zinn has seen the worst, but he is careful to focus on the best, inspiring and encouraging others to move forward from a place of kindness. Howard Zinn: You Can't Be Neutral on a Moving Train is a reflection of its subject, acutely aware of a vast world history of brutality and injustice, and beautifully, angelically convinced of the power of the people. You are apt to leave it with a smile.