When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Though Adriano Paganini's restaurant specializes in Roman-style wood-fired pizzas, you'd be remiss to skip out on its appetizers, in particular the broccolini bruschetta, a dish that may very well become your new favorite way to eat these tiny trees of the produce world.
John Rosow is a P.I., hired off a cold-call to trail a man. It turns out he's distinctly bad at his jobonce he's got his mark in sight, he starts slamming martinis and, tall and unsteady, makes a conspicuous tail. Rosowplayed by Michael Shannon, whose rumpled face suggests harrowing knowledge and unmade bedsis introduced grunting through a gummy hangover mouth, his leak of complaining noises never stopped up. After a leisurely pursuit from Chicago to L.A. to Mexico, he hauls his prey back East, where they'll confront NYC and the memories they abandoned there. The date will be established as post-9/11, but Rosow is a culture-shocked noir refugee, befuddled by camera phones, chastised for smoking by a cop on Segway, and photographed in raspy, desaturated HD instead of his native black-and-white. Auteur Noah Buschel's film references touchstones of the lonesome 1930sone of Rosows flashbacks reproduces Edward Hoppers New York Movie; his targets backstory, an ordinary life amputated by close-call trauma, borrows from Hammetts Maltese Falconall of which is well and artsy, but doesnt diminish the sense, once the mystery has untangled, that the film has been gesturing toward a profundity that isn't there.
Dec. 25-31, 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"