When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
An inconspicuous doorway off Valencia Street leads to a treasure trove of zines and 10,000-plus hours of sound and video recordings from the 1960s to the 1990s, all charting the progressive history of the Bay and its effect on global radical movements.
Of all the "The" bands swearing devotion to the Sonics/Stones/Stooges holy trinity of garage rock, the Hives have always seemed to have the most fun. Unhindered by the Strokes' penchant for rock star cliché or the White Stripes' Machiavellian creepiness, the Hives reveled in the simple pleasures of three chords, a bare-bones snare, and frontman Howlin' Pelle Almqvist's caterwauling on 2000's Veni Vidi Vicious. True, that formula wasn't particularly innovative to begin with, nor do Tyrannosaurus Hives' quick, rat-a-tat detonations of sound (12 tracks in just under 30 minutes) add anything all that new to either the Hives' repertoire or the garage rock canon. But who cares? When they rip through "Abra Cadaver" with little more than a single chord like some kind of rowdy, SAAB-driving gang of hellions, or when "Love in the Plaster" shifts from a throbbing, neo-garage heartbeat into surf-guitar overdrive at Almqvist's bellowed cue, I defy you not to nod your freaking head.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"