When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
This bittersweet comedy is considered a modern classic for good reason it's smart, heartfelt, and has deep human resonance. It's Wendy Wasserstein's masterpiece, and one of the few great American plays to emerge from the 1980s (it won the Pulitzer). The Heidi Chronicles follows art historian Heidi Holland through four decades of personal upheaval. Her journey provides an interesting counterpoint to the social and political spirit of the times, whether the revolutionary fervor of the '60s or the confused capitalist compromise of the '80s. Wasserstein, who died on Jan. 30 at age 55, found in Heidi a clear-eyed tour guide through recent history as well as a witty and pleasurable protagonist. The piece takes place in the New York that anyone who's ever loved Woody Allen's movies imagines, in which everyone has the sharp wit and intellect that makes for good company and killer dialogue. Director Brian Katz hones in on the distinctly East Coast rhythms of Wasserstein's language and makes the words dance. The cast is a mixed bag, but even when the technique falters the enthusiasm is obvious. Leah S. Abrams brings an appealing Everywoman charisma to Heidi, David Fierro knocks his Scoop Rosenbaum out of the park, and Fred Pitts has a lovely, moving turn as Heidi's best friend. It's a distinct joy to watch an excellent script performed with passion.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"