When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Making the less-traditional transition from brick-and-mortar to mobile pop-up, A16 is finally offering its hearty Monday meatballs and signature wood-fired Neapolitan pizzas without the inconvenience of needing to book a table.
If you're in the Army, hustle for the Mafia, or rap in G-Unit (which is like some strange collision of the two), you always follow orders and never bite the hand that feeds you. If you even remotely follow hip hop, you probably know that the Game has violated both of those directives recently, refusing to play the role of 50 Cent's G-Unit bitch-boy and publicly lashing out at his bullet-riddled former boss. But before his bloody G-Unit meltdown, the Game was involved in a similarly messy breakup with local hip hop mogul JT the Bigga Figga. Preceding their fallout, JT recruited the Game for his own Get Low Records,and West Coast Resurrection chronicles the Game's time in the bay. Unfortunately, the Game has a tendency to recycle gangsta clichés, which fill both this disc as well as his G-Unit debut, The Documentary, the main difference being that his flow is even more stilted here --JT the Bigga Figga, Sean T, and the album's other guests generally outshine him. While the CD is decent, thanks in no small part to JT's excellent production, the Game fails to prove why he's worth either the hype or the hassle.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"