When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Once famous throughout the league as a haven for misfits and rejects looking to resurrect their careers, the Raiders have for the last decade or more made an art from out of epically wrong personnel decisions.
We don't often go out of our way for restrooms, but in the case of Macy's sixth-floor ladies room (sorry guys: you'll just have to make do with having everything else), all who pass through its doors will understand why it's worth the effort.
To many it would be unthinkable, if not impossible: In an age of informational ubiquity, when seemingly any fact in the world lies about three clicks away, Chuck Prophet made an album about San Francisco without looking up anything.
"We wrote what we consider a 'Google-pure' or a 'Wikipedia-free' record, and so as a result of that I got a lot of the facts wrong," the 48-year-old S.F. rocker chuckles over the phone from St. Louis, Mo. "People have delighted in telling me that I got things wrong. And I've had an equally good time telling them that I don't care."
Prophet's embellishments are of a different sort than monologist Mike Daisey's invented Chinese laborers on This American Life, though. The songwriter's 11th studio album, Temple Beautiful, draws on decades of San Francisco history as it aims to capture the spirit of his adopted home. But the new songs are more focused on conveying the myths and feelings of this strange, multifaceted city than retelling hard facts.
Lamenting the loss of the boisterous street parties of yore, Prophet opens the brisk "Castro Halloween" with a line about how "two men died." Technically, that's incorrect — no one died in the 2006 shootings that led police to crack down on the beloved Halloween gatherings. But the lyric provides a sense of weighty melancholy and profound loss that feels true. That's the case for much of Temple Beautiful, which is named after a scrappy S.F. punk club where Prophet saw shows in the early '80s. "The facts may not be right, but Willie Mays and Jim Jones and Carol Doda and Fatty Arbuckle and Dan White and Emperor Norton — they are very real," Prophet says.
Musically, the new songs are animated by Prophet's brand of classicist rock 'n' roll, which, on Temple Beautiful, sounds remarkably fresh and frisky. Having cut his teeth as a guitarist for S.F. psych-country band Green on Red throughout the '80s, Prophet's talent for tunecraft is apparent in the title track, which could be a long-lost Creedence B-side. Opener "Play That Song Again" is a love letter to San Francisco dressed as a two-chord burst of primordial punk ecstasy, where Prophet chirps, "Drop me in the Avenues, I'll stumble my way in!" And the wistful "Willie Mays Is Up at Bat" rides a simmering blues-rock groove as Prophet paints portraits of Giants baseball, stripper Doda's infamous bosom, the Tonkin Gulf incident, and cult leader Jones, all at the same time.
With so much lyrical detail in each song, it's hard to believe the album didn't start with a research project. But Prophet says he was simply working on one song with a friend, the poet (and album co-writer) known as klipschutz, when the idea hit to do a whole album about San Francisco. For Prophet, Temple Beautiful is an ode to the city that put him on a course for life as a rock 'n' roller, as well as an attempt to understand its mysterious character. Raised in the Orange County suburb of Whittier, Prophet's family relocated to the Bay Area in his teens. Although he quickly left college to tour with Green on Red, Prophet initially moved into the city to attend San Francisco State. He quickly found the city's vibrant cultural life more interesting than higher education, though. "I wanted to be a journalist," Prophet recalls, bemused. "I lasted about three hours." Checking facts was never his thing.
Fri., March 30, 9 p.m., 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"